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Autograph Letter Signed [ALS] to Joë Bousquet

Autograph Letter Signed [ALS] to Joë Bousquet by MAGRITTE, RENÉ

5 to 10 days for delivery
Standard Shipping: $5.00
Details
$14,500.00
( US$)
Seller: The Manhattan Rare Book Company
Title
Autograph Letter Signed [ALS] to Joë Bousquet
Author
MAGRITTE, RENÉ
Seller
The Manhattan Rare Book Company (United States)
Condition
Fine
Description
Brussels, Belgium: np, 1946. custom folder. Fine. A MAJOR LETTER BY MAGRITTE DEFINING HIS ARTISTIC INTENTIONS AND HIS RELATIONHIP TO SURREALISM. In the early 1940s, Magritte entered his ‘Renoir period,’ during which he sought to bring pleasure into what he saw as an increasingly darkened world, marred by the rise of fascism and the brutality of World War II. In the interwar period, Magritte had played a pivotal role in the rise of Surrealism— notably in works like The Treachery of Images and The Lover— but by the end of World War II, he grew to believe that the, “confusion and panic that Surrealism wanted to create in order to bring everything into question were achieved much better by the Nazi idiots than us.” As a result, “in the face of general pessimism, [Magritte] now urge[d] a search for joy, for pleasure” [Danchev]. Significantly, Magritte associated his art with his own political anti-fascism. Magritte believed Surrealism and Nazism had both aimed to evoke a similar sensation of disorder in the experiencer (although to different ends). Still, to Magritte, a rejection of fascism required not only anti-fascist messaging but also methods that evoked joy and pleasure in the contestation of violence and disorder. Magritte associated this task with his ‘Renoir’ style [Danchev]. In this letter to Surrealist poet Joë Bousquet— the owner of an estate in Carcassonne which had served as a destination for cultural elites such as Breton, Éluard, Gide, et al.— Magritte speaks of his intentions in this new style: “The austerity that once defined my style has receded, now more subtle and essential, able to withstand the glare of the midday sun.” Magritte associates the intention of his art with the simple pleasure of eating a fruit: “By consuming a simple fruit, we let the sunshine enter our bodies. This notion resonates profoundly with the sentiment that imbues one of my latest works, La Vie privée— a painting in which a window overlooking a sun-drenched landscape is nestled within the form of a nude woman.” Magritte’s Renoir period cannot be simplified only to the pursuit of joy. He situated his works in conversation with what he characterized as prevailing Surrealist currents of artistic violence and chaos: “‘Surrealist’ painting, as practiced by numerous artists, has become overwhelming: severed hands abound, blood flows freely, and the inventions are ingeniously disturbing. These artists seem blind, inhabiting a dusty surrealist museum where even a bouquet of real flowers would scandalize. My proposal is to clear this atmosphere, despite the inevitable challenges. Addressing these questions are Le Savoir-Vivre, I say, among other things: I hate both my own past and that of others I cherish the laughter of young children running free.” Magritte derides Surrealism not because he believes it dull—he labels it “ingenious”—but because, in a Europe that had just tipped into extreme chaos, he saw Surrealism as redundant: neither challenging nor clearing the cultural imagination. Although exact intentions are up to scholarly interpretation, Magritte draws connections between historical interpretation as associated with the language of ‘progress,’ and the overwhelming chaos of Surrealist art, writing [Danchev]: “There’s no such thing as progress — there are good and bad things that are replaced, succeeded and transformed. There’s nothing to learn — there are things you need to know in order to use them.” This 1946 letter to Bousquet is deeply interested in contesting prevailing cultural norms— whether they be a style of Surrealism Magritte himself helped to create, or language of ‘progress’ in a Europe returning from near fascism. Importantly, this letter also contains what might be understood as an interpersonal argument. Joë Bousquet himself was a poet and a Surrealist (an original signatory of André Breton’s manifesto). Although Bousquet’s work received little renown during his own life—in part because of his disorienting blend of Surrealist and existentialist prose—today, Bousquet is celebrated. His works were rediscovered in the 1960s by the likes of Simone Weil, Paul Éluard, and Max Ernst. Bousquet’s prose was, in many ways, allied with the disorder of Surrealism—his stories have no plots, and the characters usually appear and disappear by the end of the story. In this way, as Magritte situates this letter as a critique of an artistic movement, he also challenges Bousquet’s own writing. This letter makes explicit the cultural critique embedded in Magritte’s art— the ethos that made him much more than just “a Surrealist,” but a revolutionary artist and thinker, committed to deconstructing the world around him. The text (in translation from the original French) reads in full: “Jette-Brussels, 3rd August 1946 135 rue ESSEGHEM My dear friend, Since my departure from Carcassonne, I have written to you on numerous occasions, yet I fear only a handful of my letters have reached you. Your own missives have been sparse, leaving me with only vague tidings, and your most recent letter has left me unsettled. I await with great impatience the books you promised to send. Your sentiment, expressed long ago, set me on the path I now tread. You spoke of how, by consuming a simple fruit, we let the sunshine enter our bodies. This notion resonates profoundly with the sentiment that imbues one of my latest works, "La Vie privée" — a painting in which a window overlooking a sun-drenched landscape is nestled within the form of a nude woman. This piece encapsulates the revolution in my art — a sentimental revolution, first and foremost, aimed at replacing anxiety with joy and the warmth of sunshine. The austerity that once defined my style has receded, now more subtle and essential, able to withstand the glare of the midday sun. Is this a demonstration (in the full light of day, we must ponder) of the "results" of a desire to overturn the established order, a desire that the war allowed "men" to indulge for four long years? During that time, I came to believe that these "men" possessed greater means than we did to sow panic, despair, and anxiety from which there was no escape. Yet, paradoxically, these same "men" were utterly bereft of the power to charm. It occurred to me that it is we who hold that power, and if we seek to achieve effects as grandiose as those of evil, but this time in service of good (by which I mean: that which enchants, that which intoxicates), there is much to be reconsidered, discarded, and discovered. To illustrate this notion, I offer two examples: Gallimard's "Série Noire" publishes adventure novels, one of which, "Pas d’orchidées pour Miss Blandish," reaches a certain pinnacle of horror and sickness. I propose the exact opposite, and I believe we have glimpsed this in works such as "Alice in Wonderland" and the tales of Perrault and d’Aulnoy. We must now strive to attain the same power in the realm of the charming and delightful as we do (with such ease) in the realm of the dark and sickening. "Surrealist” painting, as practiced by numerous artists, has become overwhelming: severed hands abound, blood flows freely, and the inventions are ingeniously disturbing. These artists seem blind, inhabiting a dusty surrealist museum where even a bouquet of real flowers would scandalize. My proposal is to clear this atmosphere, despite the inevitable challenges. Addressing these questions re Le Savoir-Vivre, I say, among other things: I hate both my own past and that of others I cherish the laughter of young children running free.” which illuminates my current sentiments and desires. I am eager to hear your thoughts on these matters. 'Le Savoir-Vivre' is soon to be printed, and I required responses by June 30th. However, timely replies could still be accommodated for publication. (Given the limited space available, please keep your contributions concise). Enclosed is a questionnaire for your convenience. On the topic of purchases, I enclose a list of items with prices. I'm also sending you a small collection by a young poet – I don't know if you've already received it – and a few illustrated postcards. I sometimes toy with the idea of surprising you one day, which doesn't seem that utopian to me. “There’s no such thing as progress — there are good and bad things that are replaced, succeeded and transformed. There’s nothing to learn — there are things you need to know in order to use them.” See you soon, I hope, and all the best Magritte [Signed] P.S. During the war, did you not receive: Les Images Défendues by Paul Nougé Magritte – preface by Marien" [Translation by Daniele Tort Moloney.] Autograph Letter Signed [ALS]. Two pages on two sheets (approx. 8.25 x 10.5 in per sheet). Housed in custom presentation folder. Usual mailing folds; fine condition. AN EXCEPTIONALLY REVEALING AND IMPORTANT LETTER GIVING INSIGHT INTO MAGRITTE'S ART. References: - Danchev, Alex. Magritte: A Life. Pantheon, 2021. - “Joë Bousquet.” EBSCO Research Starters.
Six Suits of Lessons for the Harpsichord Compos'd by Mr. Smith Author of the Opera call'd The Fairies. Opera Terza

Six Suits of Lessons for the Harpsichord Compos'd by Mr. Smith Author of the Opera call'd The Fairies. Opera Terza by SMITH, John Christopher 1712-1795

7 to 14 days for delivery
Standard Shipping: $12.50
Details
$1,610.00
( US$)
Seller: J & J Lubrano Music Antiquarians LLC
Title
Six Suits of Lessons for the Harpsichord Compos'd by Mr. Smith Author of the Opera call'd The Fairies. Opera Terza
Author
SMITH, John Christopher 1712-1795
Seller
J & J Lubrano Music Antiquarians LLC (United States)
Description
London: Printed for I. Walsh in Catharine Street in the Strand, 1755. Oblong folio. Disbound. Contemporary half mid-tan calf with marbled boards, title in contemporary brown ink to upper. 1f. (recto title, verso blank), 41, [i] (blank) pp. Engraved throughout. With "Anna Sophia Egerton" in contemporary manuscript to front pastedown. Binding worn, rubbed, and bumped; upper detached. Title detached; occasional minor soiling to margins and scattered foxing and stains. First Edition, first issue. Smith & Humphries 1377. BUC p. 959. RISM S3679 (giving precedence to the second issue). Smith, an English composer of German birth, was the son of Johann Christoph Schmidt (John Christopher Smith Sr., d. 1763), Handel's first copyist in London; the younger Smith became Handel's secretary, musical assistant, and amanuensis in Handel's later years when blindness hampered the great composer's writing and conducting activities. "Smith, according to Burney, was a 'studious and cultivated man, and much esteemed by many of the first people in the kingdom.' " Barbara Small in Grove Music Online Smith's harpsichord suites, replete with fashionable galant melodies, ornaments, and syncopation, as well as athletic effects like hand-crossing and rapid exchanges of the hands, were clearly influenced by Handel, Rameau, and Domenico Scarlatti. He succeeds at creating imaginative and original keyboard works, with his influences serving as a jumping off point. A handsomely printed edition of Smith's lively and creative contribution to galant keyboard literature.
Au Royaume de la Perle

Au Royaume de la Perle by Rosenthal, Leonard. Edmund Dulac (illustrator)

4 to 7 days for delivery
Standard Shipping: $15.00
Details
$1,350.00
( US$)
Seller: Whitmore Rare Books
Title
Au Royaume de la Perle
Author
Rosenthal, Leonard. Edmund Dulac (illustrator)
Seller
Whitmore Rare Books (United States)
Description
Paris: L'Edition D'Art. H. Piazza, 1920. First French edition. One of 1,500 copies. Original strong blue color wrappers, embossed and ornamented with sponge-like designs in silver and gilt; small paper label printed with brown lettering and design on front cover. This copy is not numbered but is an "Examplaire Offert par Léonard Rosenthal a M. Poupon".Large quarto (11 7/8 x 9 1/4 inches; 302 x 234 mm.). 139, [1, printer's imprint] pp. Ten mounted color plates, with descriptive tissue guards.A fine copy. "Au Royaume de la Perle was first published in Paris (by Payot) in 1919 without benefit of the Dulac illustrations which the author Mr. Rosenthal so eagerly sought. But when, in 1920, Dulac found time to produce 10 pictures, Mr. Rosenthal not only purchased the water colours, but had another publisher, Piazza of Paris, publish a 1,500-copy new edition of his Perle book with the Dulac illustrations. Also Dulac reveals in a reply to a Mr. Carroll of Massachusetts who hoped to buy one of the Pearl illustrations that Mr. Rosenthal also purchased the copyright to the 10 pictures. However Mr. Rosenthal did allow his book with Dulac pictures and in English translation to be published in England by The Nisbet Publishing House...The English edition, although praised by The Times Literary critic as Dulac 'at his best' was not a commercial success. In order to make use of the 775 sheets remaining from 1,550 printed for the English edition, arrangements were made in 1925 to market an edition through Brentano's, booksellers in New York...The Pearl pictures indeed display a ripening of a Dulac style first seen in Sindbad the Sailor, employed in some of his Fairy Book pictures and developed fully in The Tanglewood Tales. It is a Persian miniature style, but made quite his own...His plates, truly genius, do much to bring a fanciful touch to the otherwise stark exposition of a treatise on pearls" (Hughey). Hughey, 54a.
Photographic Negatives and Contact Prints from the 1980 New York City Gay Pride Parade

Photographic Negatives and Contact Prints from the 1980 New York City Gay Pride Parade

7 to 14 days for delivery
Standard Shipping: $5.50
Details
$1,250.00
( US$)
Seller: Between the Covers- Rare Books, Inc. ABAA
Title
Photographic Negatives and Contact Prints from the 1980 New York City Gay Pride Parade
Seller
Between the Covers- Rare Books, Inc. ABAA (United States)
Condition
Fine
Description
Unbound. Fine. 35 black & white negatives on six strips, with black & white contact print sheet of all images; 29 of the images are views of the 1980 Gay Pride parade in New York City, with signage identifying some of the participating groups and individuals: Dignity for Lesbian and Gay Catholics; I am Gay and I Love You - Advocate Experience; Lesbian Herstory Archives; Gay Daddies - Gay Fathers of Brooklyn; Gay Youth NYC; The Big Apple Gay Men's Chorus; The Disco Kazoo and Marching Band; Judson Memorial Church; and with Princeton, New Jersey, Cleveland, and California groups' signage visible and one sign stating "80 Pride"; the remaining images are four shots of a couple of groups of people at the roadside watching the parade and unrelated shots of actress Tovah Feldschuh holding a copy of the promotional book for her film *Idolmaker*. No photographer or studio is noted. The images were taken with Kodak 5063 Pan (Tri-X) film and the negatives are contained in a 'Q-Pic' specialty photographic sleeve. The negatives and contact prints are about fine and generally well-composed, and taken with near-professional quality. An interesting ephemeral glimpse of the New York City Gay Pride movement in the early 1980s.
No image available

Sredi tain i chudes (Among Mysteries and Wonders) by Rubakin, N. A.

7 to 14 days for delivery
Standard Shipping: $6.00
Details
$350.00
( US$)
Seller: ZH BOOKS
Title
Sredi tain i chudes (Among Mysteries and Wonders)
Author
Rubakin, N. A.
Seller
ZH BOOKS (United States)
Condition
Very good
Description
New York: Izdanie Ispolnitelnogo Komiteta Professionalnykh Soiuzov, 1923. Second Edition. Very good. Second, improved edition; 8 1/2 x 6; pp. [4], 2-236, [1]; dark-blue cloth over boards; embossed title in gilt; minor rubbing to spine and corners; a few faint spots to margins of cloth and first few leaves; several marginal, penciled-in notes; illustrated with 92 in-line drawings and photographic images; very good condition. Nikolai Rubakin (1862 - 1946) was a Russian author and bibliographer. He published numerous works and articles in several journals, including the Marxist "Novo Slovo." He also used the pseudonym Sergei Nekrasov to write revolutionary, underground pamphlets. After being arrested for "illegal activities" and consequently released, he emigrated to Switzerland, taking with him his massive collection of books, about 100 000 volumes, to which he would allegedly add another 100 000, where he established a library in Montreux. Among other things, he studied the psychology of the main types of book readers and even proposed a Theory of Bibliopsychology. His current work dealt with superstitions from around the world, from ancient times onward, their effects on humanity, and the ways of overcoming them. Uncommon, with OCLC listing 1 copy of the first edition in New Zealand, 2 copies of this second edition in Israel and Switzerland, and none other in the trade (as of January 2019).
Out of my later years.

Out of my later years. by Einstein, Albert.

7 to 14 days for delivery
Standard Shipping: $8.00
Details
$350.00
( US$)
Seller: Rodger Friedman Rare Book Studio
Title
Out of my later years.
Author
Einstein, Albert.
Seller
Rodger Friedman Rare Book Studio (United States)
Condition
Very Good in pretty good dust jacket
Description
New York: Philosophical Library, 1950. First edition. Very Good in pretty good dust jacket. 21 cm; 279 pages, portrait frontispiece. Turquoise cloth in plain cream-colored dust jacket. Dust jacket chipped at top of spine. Of the variant dust jackets and issues, this is the one with the fewest number of titles advertised on the rear, and the price of $4.75 on the inside flap.
Seventh Anniversary... Social Festival at the Quincy House, Wednesday Evening, Dec. 11, 1950. Bill of Fare

Seventh Anniversary... Social Festival at the Quincy House, Wednesday Evening, Dec. 11, 1950. Bill of Fare by [Menu – Boston Young Men's Total Abstinence Society; Quincy House (Boston, Mass.)]

7 to 14 days for delivery
Standard Shipping: $15.75
Details
$350.00
( US$)
Seller: Rabelais - Fine Books on Food & Drink
Title
Seventh Anniversary... Social Festival at the Quincy House, Wednesday Evening, Dec. 11, 1950. Bill of Fare
Author
[Menu – Boston Young Men's Total Abstinence Society; Quincy House (Boston, Mass.)]
Seller
Rabelais - Fine Books on Food & Drink (United States)
Description
Boston, Mass: Propeller Press, 142 Washington St, 1850. Bi-fold menu (21 x 13.5 cm.), [4] pages. Illustrated. The Boston Young Men's Total Abstinence Society was formed in 1846. This "Seventh Anniversary" banquet offered an alcohol free menu with Baked Trout in Anchovy Sauce, Mutton Cutlet in Gardner's Sauce, Eels with Tartar Sauce, Mongrel Ducks, seven types of pie or cake, AND then dessert. The final page contains an engraving of Quincy House. The menu is stained, and has some dark fold marks, mostly visible on the final page. Otherwise very good.
JOHN FORD DIRECTS | 7 WOMEN (1966) Photo

JOHN FORD DIRECTS | 7 WOMEN (1966) Photo by Metro-Goldwyn-Mayer

2 to 8 days for delivery
Standard Shipping: FREE
Details
$300.00
( US$)
Seller: Walterfilm, Inc.
Title
JOHN FORD DIRECTS | 7 WOMEN (1966) Photo
Author
Metro-Goldwyn-Mayer
Seller
Walterfilm, Inc. (United States)
Condition
Fine
Description
Metro-Goldwyn-Mayer. No binding. Fine. [Hollywood: MGM, 1966]. Vintage original 8 x 10" (20 x 25 cm.) photo, mimeographed text and photo agency sticker on verso, fine. Director John Ford working on his final completed theatrical feature film (and his only truly female-centric one) 7 WOMEN, as he speaks to his cast which includes Anne Bancroft, Sue Lyon, Margaret Leighton, Flora Robson, Mildred Dunnock, Betty Field, Anna Lee and Jane Chang.
John Henry: The Rambling Black Ulysses

John Henry: The Rambling Black Ulysses by Bowman, James Cloyd

7 to 14 days for delivery
Standard Shipping: FREE
Details
$100.00
( EU VAT US$0)
Seller: ReadInk
Title
John Henry: The Rambling Black Ulysses
Author
Bowman, James Cloyd
Seller
ReadInk (United States)
Condition
Very Good+ in Very Good dj
Description
Chicago: Albert Whitman & Company. Very Good+ in Very Good dj. 1942. First Edition. Hardcover. [minor wear to book at extremities; jacket a little rubbed/scuffed on front panel, moderate wear and shallow chipping along top edge, uneven fading to rear panel, still colorful and attractive]. (pen & ink drawings, illustrated endpapers) An enhanced retelling of the John Henry legend, "a lusty, robust tale of adventure interwoven with many typical songs and tall tales of the Old South." The author somewhat specialized in this sort of thing, having previously written "epics of American folklore" about Paul Bunyan, Winabojo (an Ojibwe spirit-boy) and Pecos Bill -- the latter the recipient of a Newbery Honor in 1938. The book's illustrator, Roy La Grone, was a faculty member at the Tuskegee Institute. .
Fahrenheit 451

Fahrenheit 451 by Bradbury, Ray

7 to 14 days for delivery
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Details
$50.00
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Seller: ReadInk
Title
Fahrenheit 451
Author
Bradbury, Ray
Seller
ReadInk (United States)
Condition
Very Good
Description
New York: Ballantine Books (382K). Very Good. [1960] (c.1953). Second Edition. Softcover. [spine rather severely turned/torqued, otherwise a nice-looking copy with only light handling wear, a short wrinkle-line near the left edge of the front cover, and a bit of age-toning to the pages]. Mass Market PB The second Ballantine paperback printing of Bradbury's classic about a future world in which books are imperiled, which the firm originally issued in both hardcover and paperback editions in 1953. (This printing omits the two additional short stories which were included in the 1953 paperback.) Basis for the 1966 Francois Truffaut film adaptation. .
Gettysburg: A Journey in Time

Gettysburg: A Journey in Time by WILLIAMS, William Earle and Dr. Alan Trachtenberg

3 to 14 days for delivery
Standard Shipping: $7.00
Details
$75.00
( EU VAT US$0)
Seller: Jeff Hirsch Books, ABAA
Title
Gettysburg: A Journey in Time
Author
WILLIAMS, William Earle and Dr. Alan Trachtenberg
Seller
Jeff Hirsch Books, ABAA (United States)
Description
Philadelphia, PA: Esther M. Klein Art Gallery, University City Science Center, 1997. First edition. Softcover. 39 pages. Exhibition catalog for a show that ran March 12 through April 18, 1997. Features the text of Abraham Lincoln's address at the Cementery of Gettysburg, acknowledgements by Libby Newman, and an essay by Dr. Alan Trachtenberg. Includes, with the covers, 25 black and white images, checklist, biographical information, list of previous exhibitions, lsit of selected publications and catalogs, and selected collections. A fine copy in wrappers with laid in related ephemera. Also includes a handwritten and signed note from William Earle Williams presenting this catalog to curator and author Tom Garver.
Heavy Weather

Heavy Weather by WODEHOUSE, P. G.

4 to 14 days for delivery
Standard Shipping: $6.50
Details
$60.00
( EU VAT US$0)
Seller: Lorne Bair Rare Books
Title
Heavy Weather
Author
WODEHOUSE, P. G.
Seller
Lorne Bair Rare Books (United States)
Description
Boston: Little, Brown & Co, 1933. First Edition. First printing. Octavo (19.5cm). Publisher's black cloth, stamped in red; plain endpapers; [iv],314pp. Straight and sound, rubbed, paper browning, discolored glue at gutter between half-title and title-page, else Very Good. The fourth full-length novel in the Blandings Castle series. The American edition preceded the first UK edition by two weeks. MCILVAINE A50a.1.
The Villein's Bible; Stories in Romanesque Carving
Stock Photo: Cover May Be Different

The Villein's Bible; Stories in Romanesque Carving by Young, Brian

7 to 14 days for delivery
Standard Shipping: $7.00
Details
$35.00
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Seller: Hackenberg Booksellers ABAA
Title
The Villein's Bible; Stories in Romanesque Carving
Author
Young, Brian
Seller
Hackenberg Booksellers ABAA (United States)
ISBN
9780712638883
Description
London: Barrie & Jenkins, 1990. 152p., colored and b/w illus., dj.
Lewis & Clark; Voyage of Discovery
Stock Photo: Cover May Be Different

Lewis & Clark; Voyage of Discovery by AMBROSE, Stephen E.

6 to 14 days for delivery
Standard Shipping: $7.00
Details
$15.00
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Seller: Argosy Book Store
Title
Lewis & Clark; Voyage of Discovery
Author
AMBROSE, Stephen E.
Seller
Argosy Book Store (United States)
ISBN
9780792270843
Condition
very good(-)
Description
Washington: National Geographic Society, 1998. hardcover. very good(-)/very good. Many color Illus. Oblong 4to, black boards, d.w., corners of boards bumped. (Washington): National Geographic Society, (1998).
Frank Harris Anson (1859-1923): Pioneer in the North

Frank Harris Anson (1859-1923): Pioneer in the North by Ambridge, D.W.

7 to 14 days for delivery
Standard Shipping: $5.99
Details
$15.00
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Seller: Kenneth Mallory Bookseller. ABAA
Title
Frank Harris Anson (1859-1923): Pioneer in the North
Author
Ambridge, D.W.
Seller
Kenneth Mallory Bookseller. ABAA (United States)
Condition
Very good
Description
NY: The Newcomen Society in North America, 1952. Paperback. Very good. Paperback. Second Printing. 24pp. Darkened overall, else very good in publisher's stapled wraps.
No image available

Utah Humanities Review: A Regional Quarterly (Vol. 2 no. 1, January, 1948)

5 to 14 days for delivery
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$5.00
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Seller: Weller Book Works ABAA/ILAB
Title
Utah Humanities Review: A Regional Quarterly (Vol. 2 no. 1, January, 1948)
Seller
Weller Book Works ABAA/ILAB (United States)
Condition
Good
Description
University of Utah, 1948. Good. Utah Humanities Review: A Regional Quarterly (Vol. 2 no. 1, January, 1948). SLC: University of Utah, 1948. 95pp. Bibliography. 8vo. Paper wraps. Book condition: Good with rubbed and yellowed edges. Names written in pencil on rear-free endsheet.

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