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21 Photo Promotional Cards for L'Exposition Coloniale Performances; Pernod Fils pavilion

21 Photo Promotional Cards for L'Exposition Coloniale Performances; Pernod Fils pavilion by Baker, Joséphine [Photographer: Lucien Lorelle]

1 to 10 days for delivery
Standard Shipping: FREE
Details
$5,000.00
( US$)
Seller: Biblioctopus
Title
21 Photo Promotional Cards for L'Exposition Coloniale Performances; Pernod Fils pavilion
Author
Baker, Joséphine [Photographer: Lucien Lorelle]
Seller
Biblioctopus (United States)
Condition
Very good
Description
Paris: Studio Lorelle, 1931. Very good. 21 small format black-and-white photographic cards (5 1/8" x 2 5/8") featuring portraits of Baker by photographer Lucien Lorelle (1894-1968). The cards promoted Baker's appearances at the Pernod Fils pavilion during the 1931 Paris Colonial Exhibition, where she sold recordings and books to benefit colonial charities. Each card presents a different pose and costume, documenting the range of Baker's performance personae. Baker appears in an array of ensembles: elaborate feathered capes, her banana skirt costume, nautical-inspired skirts, and pearl necklaces, with several images featuring her topless. Other photographs capture her posed at a piano in a silk gown. The front of each card displays Baker's image alongside text adapting her recent hit song "J'ai deux amours" (I have two loves, my country and Paris), reimagined as: "JOSÉPHINE BAKER chante: J'ai deux amours... PARIS... ...PERNOD fils." The verso provides venue details, noting the pavilion's location at the edge of Lake Daumesnil, near the Indochinese Restaurant, and identifies Baker as "la Grande Vedette du CASINO DE PARIS." Minor handling wear consistent with period ephemeral advertising materials, one with trimmed borders; else near fine. Born Freda Josephine McDonald in St. Louis, Missouri, Joséphine Baker arrived in Paris in 1925 and within months became the city's most electrifying sensation. Her "danse sauvage" at the Folies Bergère (performed in little more than a girdle of artificial bananas) scandalized and mesmerized audiences in equal measure, transforming the twenty-one-year-old into Europe's highest-paid entertainer. She embodied the contradictions of her age: a Black expatriate who fled segregation only to become what scholars call "a floating signifier of cultural difference," initially designated "Queen of the Colonies" for the 1931 Colonial Exposition (a role she couldn't officially hold as a non-colonial subject), yet ultimately transcending these imposed identities through sheer force of talent and will. The war years revealed another Baker entirely. Working clandestinely for the French Resistance, she earned the Croix de guerre, Médaille de la Résistance, and Légion d'honneur. She stood beside Martin Luther King Jr. as one of the only women to speak at the 1963 March on Washington. She created her "Rainbow Tribe" (twelve adopted children of diverse ethnicities) as a living rebuke to racism. In 2021, France interred her in the Panthéon, the first Black woman and first American-born woman to receive such honors, confirming what even a cursory knowledge of her life makes evident: she remains an enduring symbol of artistic innovation, political courage, and the transformative possibilities of performance.
De vita, & rebus gestis Andreae Auriæ Melphiae principis libri duo. Ab auctore postremò recogniti.

De vita, & rebus gestis Andreae Auriæ Melphiae principis libri duo. Ab auctore postremò recogniti. by SIGONIO, Carlo (1524-1584)

2 to 8 days for delivery
Standard Shipping: $3.00
Details
$980.00
( US$)
Seller: Govi Rare Books LLC
Title
De vita, & rebus gestis Andreae Auriæ Melphiae principis libri duo. Ab auctore postremò recogniti.
Author
SIGONIO, Carlo (1524-1584)
Seller
Govi Rare Books LLC (United States)
Condition
Good+
Description
AN EXCEPTIONAL COPY ENTIRELY UNOPENED 4to (220x158 mm). [4], 123, [1] leaves. Collation: +4 A-Z4 Aa-Hh4. Leaves +4 and Hh4 are blank. Printer's device on title page. Contemporary cardboards "alla rustica", spine with ink title and the later shelf mark "1734" and, on a label, "1494". On the front flyleaf engraved bookplate Antonia Suardi Ponti. Some quired browned, some marginal foxing, a bit loose and with the binding partially detached from the book block, but an exceptional copy entirely uncut and unopened. FIRST EDITION in Latin (an Italian translation appeared in Genoa in 1598), published posthumously, of the first biography of the great Genovese condottiero and imperial admiral Andrea Doria (1466-1560), who fought for the emperor Charles V in the wars against the king of France Francis I and commanded several expeditions against the Ottoman Empire between 1530 and 1541. Carlo Sigonio, from Modena, first studied Greek under Francesco Porto da Crotone, then attended the philosophical schools of Bologna and Padua. In 1545 he was made professor of Greek in his hometown. In 1552 he was called to teach in Venice, in 1560 he obtained the chair of eloquence in Padua, and then from 1563 onwards he taught in Bologna. The great reputation that he acquired with his works on Greco-Roman antiquities, was only affected in the last years of his life by the controversy that arose around the Consolatio Ciceronis, a forgery that he made from some original fragments of Cicero. Edit 16, CNCE30866.
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Le laisser-aller des elimines by Gaston Chaissac

3 to 14 days for delivery
Standard Shipping: $5.00
Details
$75.00
( EU VAT US$0)
Seller: Thomas A Goldwasser Rare Books
Title
Le laisser-aller des elimines
Author
Gaston Chaissac
Seller
Thomas A Goldwasser Rare Books (United States)
Description
Bassac: Plein Chant, 1979. 19 cm; 96 pp; "Petit livre attachant et très intéressant de 96 pages sur papier velin. 23 lettres dactylographiées accompagnées de leurs dessins (lettres-dessins) et parfois de leurs fac-similés. Initiée par un article que Coutant écrivit sur Chaissac dans la revue "Le Phare", cette correspondance prend place à une période charnière de la vie de Coutant. Atteint de tuberculose, il se mit à rencontrer des artistes, songea un moment à cette autre vocation, organisa une exposition collective incluant Chaissac et finira par rencontrer ce dernier chez lui. Coutant choisira la voie religieuse ; le livre comprend d'ailleurs le fameux "faire-part d'ordination" dessiné par Chaissac, ainsi que des réflexions caustiques et contrastées sur l'Eglise et la religion." (http://klorsct.free.fr/coutant/ouvrages.htm).

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