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Verses (Presentation copy)

Verses (Presentation copy) by Rossetti, Christina G.

4 to 7 days for delivery
Standard Shipping: $15.00
Details
$45,000.00
( US$)
Seller: Whitmore Rare Books
Title
Verses (Presentation copy)
Author
Rossetti, Christina G.
Seller
Whitmore Rare Books (United States)
Condition
Fine
Description
London: G. Polidori's, 1847. First edition. Fine. A Fine copy, inscribed on front blank "E.H. Polidori / from Christina Rossetti / July 1847." Small octavo (6 1/4 x 3 7/8 inches; 159 x 98 mm.). [iv], 66, [2, blank] pp. Page 55-56 are in the corrected state: dated 1847 at the end; stanza 5, line 1 reads "And now that thou art gone"; stanza 5, line 3 reads "And see the clouds"; stanza 6, line 1 reads '"Yes, oftentimes I sit beneath it now"; stanza 8, lines 1-2 have quotation marks; stanza 8, line 1 ends with a semi-colon. A superb exhibition binding by Zaehnsdorf ca. 1900. Full green morocco, covers with an elaborate floral decoration in gilt with red morocco inlays. Spine with five raised bands elaborately gilt with red morocco floral inlays and lettered in gilt in compartments, gilt-ruled board edges, decorative gilt turn-ins, tan morocco liners and endleaves, all edges gilt. Joints expertly and invisibly repaired. Publishers blue patterned cloth wrappers bound in. With the engraved bookplate of Charles Plumptre Johnson on verso of front endpaper and the armorial bookplate of Dr. Samuel L. Sieger on first blank leaf. Housed in a full dark green morocco clamshell case, spine with five raised bands decorated and lettered in gilt in compartments. A spectacular rare first edition in a beautiful 'Exhibition' binding of Christina Rossetti's first book. Printed by her grandfather Gaetano Polidori's private press in Park Village East near Regent's Park when the author was just sixteen years old, the delicate book contains 42 poems, two of which are in Italian. It includes the first poem Rossetti ever wrote-a birthday present for her mother-as well as the poems The Dead City and The Water Spirit's Song, and several centered around the rose, the author's personal emblem (Marsh, Hayward). A highly important and delightful example of a young poet's talent foreshadowing her creative career to come. This volume was presented to Eliza Harriet Polidori (1809-1893), Christina Rossetti's maternal aunt, a brave woman who worked as one of Florence Nightingale's nurses in the Crimean War and "managed the stores at the Barrack Hospital at Scutari" where injured soldiers were brought from battle to be treated (Bostridge). Christina wished to serve alongside her aunt at the barrack Hospital, but was rejected due to her young age. Dante Gabriel Rossetti took a less favorable view of Polidori, calling her his "maniac aunt" in a letter to William Bell Scott in 1854 (Fredeman). Following Polidori's death by cancer, Christina would inherit her aunt's fortune. Fredeman 44.2; Hayward 267; Ashley IV, p. 99; Tinker 1784; CBEL III, 497; CBEL (3) IV, 659; Marsh pp. 32-41, 72-76. Fine.
Feats on the Fjord

Feats on the Fjord by [Rackham, Arthur] Martineau, Harriet

4 to 7 days for delivery
Standard Shipping: $5.00
Details
$750.00
( US$)
Seller: Whitmore Rare Books
Title
Feats on the Fjord
Author
[Rackham, Arthur] Martineau, Harriet
Seller
Whitmore Rare Books (United States)
Description
London/New York: J.M. Dent & Sons Limited/E.P. Dutton & Company, 1914. Second edition. Publisher's original blue cloth pictorially and ornamentally stamped in gilt, gilt lettered and ornamented spine with "Dent London" at foot. Onlaid color plate to upper board and blue cloth label with "With Many Coloured Illustrations" pasted over small rectangular panel. Original pictorial dust jacket (with "J.M. Dent & Sons" at foot printed in green at foot). Neat gift signature to front paste-down. With all the plates in color, in an unrecorded binding variant. Octavo (7 x 5 in; 178 x 127 mm). 128 pages. Eight color plates, including frontispiece (all dated 1899). A Fine copy in the very scarce dust jacket (jacket slightly chipped at top and bottom of spine). Both Latimore & Haskell and Riall note binding in red or green cloth but not blue, as here. The half-title reads: Tales for Children from Many Lands Edited by F.C. Tilney. "I have seen a copy that causes a confusion as to which is the 1st edition. The cover has a label pasted over With Coloured Illustrations by Arthur Rackham to change the title to With coloured illustrations , and on the title page there is no mention of Coloured by W. Cubitt Cooke. There may have been a mistake of ommitting the the colouring had been done by another on the title page so the pasted plate was added to the cover until the 2nd. issue" (Riall). Just to complicate matters further - our copy has the label on the front cover AND Coloured by W. Cubitt Cooke on the title-page. In the first edition of 1899 [The Temple Classics for Young People], the twelve plates, with the exception of the frontispiece, are in black and white, and the title page thus lacks the credit to W. Cubitt Cooke. Arthur Rackham (1867-1939) is perhaps the most acclaimed and influential illustrators of the Golden Age of Illustration. A prolific artist even from his youth, Rackham got his start as an illustrator working for the Westminster Budget Newspaper (1892). Over the next few years, he took on more and more commissions for children's books, hitting his career high in the first three decades of the twentieth century. Rackham turned his imaginative pen to every classic-from Shakespeare to Dickens to Poe. Riall 122.
Harvard 1660: Girls in the Dorms, “Lascivious” Conduct, Students Drinking and Carousing

Harvard 1660: Girls in the Dorms, “Lascivious” Conduct, Students Drinking and Carousing by Harvard

3 to 5 days for delivery
Standard Shipping: $25.00
Details
$5,000.00
( US$)
Seller: The Raab Collection
Title
Harvard 1660: Girls in the Dorms, “Lascivious” Conduct, Students Drinking and Carousing
Author
Harvard
Seller
The Raab Collection (United States)
Description
1660. The earliest document relating to Harvard we have had, and the first we’ve seen on the market about young people partying at the collegeThe Massachusetts Bay Colony was first settled in 1630, when a flotilla of ships sailed from England in April bearing 700 Puritans under the leadership of Governor John Winthrop. The colonists began arriving at Salem in June. Thousands more followed from Old England to New. Nathaniel and Anna Bowman were among them, arriving in Watertown with the earliest settlers in 1630. According to Watertown historian, Marilyn Roach, Bowman “received several grants of plow land and meadow in town and farmed here for decades before the couple and their seven children moved in 1651 to the part of Cambridge that later became Lexington.”Harvard is the oldest institution of higher education in the United States. With some 17,000 Puritans migrating to New England by 1636, it was founded in anticipation of the need for training clergy for the new commonwealth. The new College, an early tract said, was a “first flower in their wilderness,” intended to prevent “an illiterate ministry when our present ministers shall lie in dust.” So Harvard was designed as an institution to promote religion, and in Massachusetts that generally meant the Puritan variety known as the Congregational Church.But it seems that not all Puritans were as puritanical as one would assume, and that young people of every generation have much in common. There was a muster of the local militia in Cambridge, a periodic event that tended to draw an audience. There was one in the summer of 1660, and quite a number of the youths went looking for a good time. On July 24, 1660, court records show that constables were ordered to summon over a dozen young men and women to appear “to answer for lascivious meeting together at the general training last at Cambridge, both in an ordinary [bar] and at the college [Harvard] among some of ye students.” Two of these were 20-year-old Nathaniel Bowman, Jr. and his 18-year-old sister Johanna.Following up on this, on September 24, 1660, the constable of Cambridge was ""required to warn Nathaniel Bowman & Johannah Bowman to appear before me at my house on the last day of this instant week about nine of the clock in the morning then & there to answer for their being at a lascivious meeting of sundry young men & maids at the general training lately held at Cambridge”.Middlesex Court Records now housed at the Massachusetts Archives include a collection of statements by witnesses to the “questionable"" behavior that ensued after the muster when local youths and Harvard students began to carouse. According to records, witnesses encountered “singing and smoking” at the camp in the field,” wine drinking in a tavern, young women perched on a young man’s lap, and unauthorized girls in Harvard dorm rooms. Breaking parietals with girls in the dorms, 1660 style.The community elders were outraged; and the transgressors must be brought to confession or punishment. Document Signed, Watertown, Mass, 1660, a confession and plea for pardon from Nathaniel Bowman. The document reads, in part: ""The humble acknowledgement of Nathaniel Bowman humbly confesseth in answer to what is charged against him by this Honored Court that he desireth heartily to be sorrowful that he was so far overtaken in being in both such company & whereas so much dishonor came to God; and so much cause of offence to his people and trouble to this Honored Court; with thankfullness to the Honored Deputy for his good advice, which through the grace of God I hope will worke a better change in my heart. So craving humble pardon from the Honored Court, for the offenses done.”
Le Champ d'Asile. Le Laurier sous leurs pas y croitra sans culture [caption title]

Le Champ d'Asile. Le Laurier sous leurs pas y croitra sans culture [caption title] by [Texas]: [Champ d'Asile]

2 to 8 days for delivery
Standard Shipping: $7.70
Details
$3,250.00
( US$)
Seller: The Joe Fay Company LLC
Title
Le Champ d'Asile. Le Laurier sous leurs pas y croitra sans culture [caption title]
Author
[Texas]: [Champ d'Asile]
Seller
The Joe Fay Company LLC (United States)
Condition
About very good.
Description
Paris: Jean fils, Quai des Augustins, 1819. About very good.. Aquatint engraving, 14.5 x 11 inches. Tipped in along top edge, partially splitting along plate mark. Mildly and unevenly trimmed along left edge, moderate foxing and dust-soiling, short tear at right edge repaired on verso. About very good. A very rare engraving relating to early Texas, picturing residents of the short-lived and ill-fated French colony in Texas, known as the Champ d'Asile. This print depicts soldiers, exiles of the Napoleonic Wars, establishing an agricultural colony in Texas, with one subject farming and two others smoking next to a barrel in the background - perhaps a comment on Texas' potential for tobacco production. Another colonist, in the foreground, is shown in an embrace with an officer, likely representing General C.F.A. Lallemand (one of the founders of the colony) in an expression of his gratitude for the colonist's hard work. The central image is surrounded by banners representing Napoleonic battles from Moscow to Waterloo, which are identified by name. The caption in the lower margin translates to "The laurel under their path will grow without culture." The image was engraved by "Charon" after the original art by "Aubry." The Champ d'Asile (or Camp Asylum) settlement was founded by General Charles Lallemand and a group of loyalist Napoleonic officers who fled France for America in 1815. Although the settlement was billed as a peaceful one, Lallemand in fact had grand schemes of conquest, and sought to establish himself between the United States and the tottering remnants of Spain's American empire. With this goal, 400 settlers landed on the Trinity River near Galveston in 1818. At the same time, a vigorous propaganda machine in France produced promotional tracts, novels, poems, and songs (for all of which, see Streeter Texas, 1068-77), all celebrating the idyllic proposed settlement and attempting to raise support for it. Streeter refers to the prints produced to celebrate the colony as "an interesting lot." This print was part of that promotional effort, and was among a series of prints showing various aspects of the colony. These engravings of Champ d'Asile are among the earliest graphic works purporting to show any part of Texas, though the present image reveals just a pinched portion of the colony itself. Needless to say, the reality of the colony's health was much grimmer than portrayed in any of the prints or publications. Few of the settlers had any real experience in the kind of work needed to start such a settlement in such a distant and unfamiliar location, and sickness soon reduced the number of working hands. The Spanish mustered enough strength to expel the survivors in 1820, though the short life of the colony inspired a French patriotic attachment to Texas for years to come. "Although Champ d'Asile, a colony of Bonapartist refugees founded on the Trinity River in 1818, endured barely six months, its impact on the future of Texas was strong. The concern aroused among United States and Spanish diplomats over this intrusion into disputed territory caused two immediate results. United States pressure forced pirate Jean Laffite and his men, who had assisted the French colonists, to leave Galveston. And French presence at Champ d'Asile precipitated the Adams-Onis Treaty of 1819, which eliminated the Neutral Ground agreement and established the Sabine River as the Louisiana-Texas boundary and the border between the United States and New Spain. The body of thought, art, and literature evoked in Paris around Champ d'Asile also had important long-term effects on Texas" - Handbook of Texas online. This particular engraving is one of the rarer among those produced to advertise Le Champ d'Asile. OCLC reports just two institutional holdings, at the Bibliotheque Nationale de France (deposited there in the year of publication) and SMU. De Vinck 10268. Streeter Texas 1077 (note).
Galerie et Rotonde Colbert conduisant de la rue Vivienne au Palais-Royal. Plan du rez-de-chaussée, vue perspective de la galerie et de la rotonde, d’après les plans et dessins de J. Billaud, architecte de la Galerie, terminée en 1827

Galerie et Rotonde Colbert conduisant de la rue Vivienne au Palais-Royal. Plan du rez-de-chaussée, vue perspective de la galerie et de la rotonde, d’après les plans et dessins de J. Billaud, architecte de la Galerie, terminée en 1827 by BILLAUD, Jacques

7 to 14 days for delivery
Standard Shipping: $3.50
Details
$2,950.00
( US$)
Seller: Martayan Lan, Inc.
Title
Galerie et Rotonde Colbert conduisant de la rue Vivienne au Palais-Royal. Plan du rez-de-chaussée, vue perspective de la galerie et de la rotonde, d’après les plans et dessins de J. Billaud, architecte de la Galerie, terminée en 1827
Author
BILLAUD, Jacques
Seller
Martayan Lan, Inc. (United States)
Condition
Good
Description
GALERIE COLBERT, PARIS, NOW PART OF BnFNO U.S. COPIES Paris, Chez J. Billaud; Engelmann & Mantoux, Imprimeurs Lithographes; Imprimé chez Paul Renouard, 1828. Folio (60.5 x 45.4 cm, 44.5 x 34 cm and smaller at platemark). Letterpress title and four lithographed plates after drawings by Billaud, the first ("Plan des Galeries & Rotonde Colbert…Explication du plan") lithographed by Mantoux, the second ("Vue intérieure de la Galerie et Rotonde Colbert, Prise du passage des Pavillons descendant au Palais Royale") by Levelly and Engelman, the third ("Galeries Colbert, Portique de l'entrée principale des galeries sur sur la rue Nve. des Petits-Champs") by Hyppolite Roux and Engelmann, and the fourth ("Vue intérieure de la Rotonde et de la Galerie Colbert, Conduisant de la rue Vivienne à la rue Neuve des Petits Champs") also by Roux and Engelmann. Plates two through four are printed chine-collé and mounted on heavy paper. Browning and soiling on title, and some spotting to plates, mostly marginal but affecting the image area in the second and third plates. Stitched and housed in a contemporary portfolio of red embossed paper over boards, leather corners; covers soiled and worn, spine renewed in grey cloth. Discreet blue stamp of "R. Dardel" (René Dardel, 1796-1871) on upper corner of title and lower margin of fourth plate. Rare publication (no U.S. copy) illustrating the newly built glass-covered shopping arcade, Galerie Colbert, linking the Palais Royal to the Galerie Vivienne and now part of the BNF in Paris. Originally a private residence designed by Louis Le Vau in 1634, the site of the Galerie and Rotonde Colbert has a rich history. Acquired by Jean-Baptiste Colbert in 1665, it was later transformed into stables for the Regent Philippe d'Orléans in the 18th century. After the French Revolution, the building served as a public debt fund. The 1820s marked a turning point for the site, as the speculator company Adam et Cie purchased it with the ambitious goal of creating a covered shopping arcade to rival the prestigious Galerie Vivienne arcade located nearby. Architect Jacques Billaud realized this vision in 1826, preserving the Rue des Petits-Champs façade and constructing a glass-covered passageway. The Galerie Colbert spanned 83 meters in length and connected no. 6 Rue des Petits Champs to nos. 204 Rue Vivienne. Its original interior featured a large and magnificent rotunda topped with a glass dome, with polychrome decor reminiscent of Pompeian houses that exuded a sense of ancient grandeur. A striking painting of Colbert promoting trade graced the front porch. Soon after the opening of the Galerie Colbert, in 1830, Berlioz performed "La Marseillaise" from one of its windows. According to the 1833 edition of the Almanach du Commerce de Paris, an eclectic collection of traders soon occupied the Galerie Colbert, including a bookseller (at no. 3), a shoemaker and Chinese sock manufacturer (no. 6), an umbrella maker (no. 13), a gunsmith (nos. 16-18), the Gabriel Pleyel piano store (nos. 23-25), and a hernia truss supplier and manufacturer of belts for children for the prevention of masturbation (no. 28). To attract customers and amuse youngsters, a Géorama—an aerial trompe l'oeil—was installed at the main entrance. Later in the 19th century, the Galerie Colbert also housed a literary cabinet with a 15,000-volume library. Covered passages like the Galerie Colbert were precursors to modern-day shopping malls. These elegant thoroughfares, built to shelter wealthy Parisians from inclement weather, housed a diverse array of shops and businesses. They were not only for shopping, but also for "flaneries" ( strolling) and were such a cultural phenomenon that they inspired the philosopher Walter Benjamin to write his monumental opus " the Arcade project" representing and critiquing this Parisian bourgeois experience. The first such covered passage, the Passage du Caire, completed in 1799, was the brainchild of American inventor Robert Fulton, who came to Paris to showcase his steamboat and submarine. Most of these passages were constructed during the first half of the 19th century on the Right Bank of the Seine. The covered passages typically connected two streets, were enclosed with glass ceilings, and were pedestrian-only thoroughfares. They were privately owned and lavishly decorated with ornate details. Shops lined the ground floor, while the upper levels often housed apartments. Initially lit by gas lamps, these passages were hubs of social activity and commerce. By 1867, Paris boasted approximately 183 covered passages. However, many were demolished during Baron Haussmann's extensive urban renewal projects. Additionally, the rise of the grand department stores, or grands magasins, in the 1850s gradually led to their decline. After a long period of abandonment, the Galerie Colbert was destroyed in 1975 and rebuilt identically by the architect Louis Blanchet (1927-2010), recipient of the Prix de Rome in 1952, for the needs of the National Library of France, which took over the premises in 1985. In 2004, architects Dominique Pinon and Pascale Kaparis transformed the space into a hub for teaching and research for the Institut National d'Histoire de l'Art (INHA). Their renovation project carefully preserved the gallery's iconic Pompeian decor while highlighting the historic elements of the original building. At the entrance to the present-day arcade is the art nouveau style brasserie, Le Grand Colbert, which is listed as a historical monument. Unfortunately, little can be established regarding Jacques Billaud, the original architect of the Galerie Colbert. One of the lithographers, Godefroy Engelmann (1799-1839), born in Mulhouse, experimented with lithography in the early 1810s and relocated to Paris in 1816. "Engelmann was concerned with lithography throughout his life and at his death left a flourishing press to his son. For twenty years he was responsible for most of the major technical developments of the process… Already by 1820 his was probably the leading press in Europe, and certainly so for that branch of lithography in which France has ever since led the work, the production of artists' prints. More than anyone else in Europe it was Engelmann who, by virtue of his technical improvements, clear descriptions, and skillful printing, encouraged artists to draw on stone; and the real growth of lithography as far as the artist was concerned really dates from the establishment of his press in Paris" (Twyman, pp. 52-55). Engelmann is also remembered for his innovations in chromolithography. The identities of the three other lithographers (Mantoux, Levelly and Roux) involved in the creation of this work remain shrouded in mystery. René Dardel (1796-1871), whose ownership stamp appears on the title and the fourth plate, was an architect active in the city of Lyon and responsible for several of the city's major monuments, including the Sainte-Blandine church, the fountain of Saint-Jean, and the Palais de la Bourse et du Commerce, inaugurated in 1860 by Napoleon III. One copy at the Musée de Carnavalet in Paris; no copies traced on OCLC in the U.S. * Michael Twyman, Lithography 1800-1850, pp. 52-55.
Unpublished Vietnam War Photograph Album; With Works from the Australian Army Public Relations Service and the United States Army

Unpublished Vietnam War Photograph Album; With Works from the Australian Army Public Relations Service and the United States Army by [Vietnam War]

2 to 8 days for delivery
Standard Shipping: $5.00
Details
$2,800.00
( US$)
Seller: The First Edition Rare Books, LLC
Title
Unpublished Vietnam War Photograph Album; With Works from the Australian Army Public Relations Service and the United States Army
Author
[Vietnam War]
Seller
The First Edition Rare Books, LLC (United States)
Condition
Very good
Description
1968. Photograph Album. Hardcover. Very good. Unpublished Vietnam War correspondent photographs, depicting military personnel, prisoners of war, battle zones, and various graphic scenes of Vietnam in the late 1960s.. 123 black and white photographs. Housed in red leatherette three-ring binder with gilt borders and bands, measures 11" x 11" x 2.5". Images affixed to self-adhesive magnetic photo sleeves. Wear and rubbing to binder, secure metal rings. A few loose photos, some mylar peeling on sleeves. Some photographs with war department publication information on verso. Includes numerous captions written for professional publication, reporting on various attacks and military operations throughout Vietnam. Features photographs taken for the United States Army, United States Marines, Royal Australian Regiment, Royal New Zealand Artillery, and the Southeast Asia Pictorial Center. The Vietnam War (1954-1975) is considered the first "living room war" due to its daily appearance on television and in the press. The war's controversial and polarizing nature only further propelled its publicity and detailed documentation, as seen in this example. The majority of these photos are from late 1967 and early 1968, on location in Hue, Nui Dat (an Australian base now a part of Ba Ria), Saigon, and Long Binh/Bien Hoa (outside Ho Chi Minh). Multiple images refer to Operation Coburg, an Australian and New Zealand military action against the North Vietnamese and the Viet Cong over the Lunar New Year festivities of 1968. It was the first time the Australian Task Force was deployed beyond its Tactical Area of Responsibility, which set a precedent for later operations that extended beyond the assigned province of Phuoc Tuy.
Friedrich Auguste Böhme, R.S. Musikdirektor und Posannen Konig zu Dresden. Original drawing executed in pencil, black chalk, and colored washes

Friedrich Auguste Böhme, R.S. Musikdirektor und Posannen Konig zu Dresden. Original drawing executed in pencil, black chalk, and colored washes by [TROMBONE - German - 19th Century]. Alvensleben, Oscar von 1831-1903

7 to 14 days for delivery
Standard Shipping: $12.50
Details
$920.00
( US$)
Seller: J & J Lubrano Music Antiquarians LLC
Title
Friedrich Auguste Böhme, R.S. Musikdirektor und Posannen Konig zu Dresden. Original drawing executed in pencil, black chalk, and colored washes
Creator
[TROMBONE - German - 19th Century]. Alvensleben, Oscar von 1831-1903
Seller
J & J Lubrano Music Antiquarians LLC (United States)
Description
300 x 204 mm. Signed "O.v. Alv." and dated 18 April [18]76. On light blue paper with watermark 'G.G." The subject is depicted three-quarter length in military dress, holding a top hat in his left hand and a cigar in his right. His first finger points up towards a small drawing of a musical staff with a trombone and several musical notes. Alvensleben was a German artist working in Dresden where he studied at the Kunstakademie. The Wiener Zeitung reported that Böhme performed three concert pieces on the trombone at the Carl-Theater there on 3 August 1860.
A Collection of Songs of various kinds, and for Different Voices ... Price 10/6

A Collection of Songs of various kinds, and for Different Voices ... Price 10/6 by SMITH, John Stafford 1750-1836

7 to 14 days for delivery
Standard Shipping: $8.00
Details
$403.00
( US$)
Seller: J & J Lubrano Music Antiquarians LLC
Title
A Collection of Songs of various kinds, and for Different Voices ... Price 10/6
Author
SMITH, John Stafford 1750-1836
Seller
J & J Lubrano Music Antiquarians LLC (United States)
Description
London: Printed for and sold by J. Preston, at his Music Warehouse No. 97, Strand, 1785. Oblong folio. Disbound. 1f. (recto title, verso blank), 1f. (recto dedication with coat of arts incorporating a shield, three unicorns, and Latin motto "Pro Rege et Populo," verso blank), [i] (blank), 40 pp. Engraved throughout. With secondary pagination in contemporary manuscript to head of pages. Slightly browned, soiled, and foxed. BUC p. 959. RISM S3687and SS3687. The songs are for 1-4 voices, all a cappella with the exception of the solo song "The Lunatic Lover." After Purcell's style with a keyboard accompaniment, the keyboard part often doubles the vocal part, but sometimes diverges into its own textures and melodies. In a striking example of word-painting, after the lines "Distraction I see is my Doom / of this I am now too sure / a Rival is got in my room / while torments I do endure," the keyboard plays a "Sy.[mphony]" consisting of ten measures of music with the right hand in 10/8 time in moto perpetuo quintuplets, and the left hand accompanying in common time, all notated in three staves (two for the left hand and one for the right). The lyrics for the 3-part glee, pp. 3-4, are drawn from Shakespeare's The Winter's Tale. Smith, an English musicologist and composer, "gained an early reputation as a glee composer, winning two prizes from the Catch Club in 1773 and several more during the next few years. He published five collections of glees as well as several separate pieces; many others appeared in Warren's collection and other anthologies of the time. The later glees are strikingly original; one, Sweet poet of the woods, uses quarter-tones. He also produced a madrigal, Flora now calleth forth each flower, which is a genuine essay in the old madrigal idiom. He published a collection of songs, and a set of 20 anthems, besides composing a number of hymn tunes and chants. His anthems, too, display unusual boldness, both in the choice and treatment of texts: Horton regards him as a pioneer in this respect. He became a member of the Anacreontic Society in 1766. His song, To Anacreon in Heaven, was composed for this drinking and singing club; he published a harmonized version (A,T,B) in his 5th Book of Canzonets, Catches, Canons and Glees (1799). In a slightly altered form, this was later adapted to The Star-Spangled Banner, now the national anthem of the USA. ... He is now chiefly remembered for his pioneering work as a musical antiquary. ... One might go further and say he was the first musicologist of any nationality, since England was in the forefront of musical antiquarianism." Nicholas Temperley in Grove Music Online.
The Bohemian Polka, composed & respectfully dedicated to Viscount Bury by Herrman Koenig.. Pr. 3/-

The Bohemian Polka, composed & respectfully dedicated to Viscount Bury by Herrman Koenig.. Pr. 3/- by [DANCE - Social]

7 to 14 days for delivery
Standard Shipping: $8.00
Details
$190.00
( US$)
Seller: J & J Lubrano Music Antiquarians LLC
Title
The Bohemian Polka, composed & respectfully dedicated to Viscount Bury by Herrman Koenig.. Pr. 3/-
Creator
[DANCE - Social]
Seller
J & J Lubrano Music Antiquarians LLC (United States)
Description
London: Jullien, 1845. Folio, 337 x 250 mm. Attractive colour lithograph by J. Brandard printed by M. & N. Hanhart depicting a couple in Bohemian dress dancing the polka within Jullien's characteristic decorative border gilt. 1f. (recto illustrated title, verso blank), [1] (full textual instructions for dancing the polka together with publisher's advertisements), 2-7, [i] (blank) pp. With composer's facsimile signature handstamp to lower right margin. Disbound, with small stab holes to inner margins. Light uniform browning; scattered foxing; first folio slightly split at head. The subjects depicted are thought to possibly be the important dancer and choreographer Jules Perrot (1810-1892) and the noted Danish Romantic ballerina Lucille Grahn (1819-1907). With an intriguing "second rule" for dancing the polka: "... never to imitate the theatrical figure taught by some dancing masters de Bas étage, which perfomance is very amusing in a Theatre, but in a distinguished ball-room totally mauvais ton." John Brandard (1812-1863), an English lithographic artist, "took the chromolithograph, which had been first used in connection with music in 1841, to an incredibly high level of sophistication, using half a dozen or more stones to produce a single image, printed on paper of a far higher quality than had been used for this purpose hitherto... The colours red and blue predominate in his palette of the 1840s, along with some exquisitely diaphanous draughtsmanship and plentiful use of gold, especially in filigree borders. This latter was something Brandard may have learned when copying medieval illuminations for the Hanharts' bound music albums. His covers convey an illusion of luxury and refinement, and are clearly aimed at the wealthier sections of society. Brandard employed two full-time assistants, allowing him to produce artwork quickly and prolifically, mainly concentrating on ballet and opera. His portraits of dancers were admired by Degas." Wikipedia.
No image available

Studies in Medieval and Renaissance Music by BUKOFZER, Manfred F.

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Standard Shipping: $8.00
Details
$6.00
( US$)
Seller: J & J Lubrano Music Antiquarians LLC
Title
Studies in Medieval and Renaissance Music
Author
BUKOFZER, Manfred F.
Seller
J & J Lubrano Music Antiquarians LLC (United States)
Condition
Very Good
Description
New York: Norton, 1950. First Edition. Hardcover. Very Good. Octavo. Boards. 324 pp.
No image available

Water Music by T. Coraghessan Boyle

7 to 14 days for delivery
Standard Shipping: $5.00
Details
$295.00
( US$)
Seller: Jeff Bergman Books ABAA/ILAB
Title
Water Music
Author
T. Coraghessan Boyle
Seller
Jeff Bergman Books ABAA/ILAB (United States)
Condition
Fine
Description
Little Brown, 1981. Book. Fine. Original Wraps. First Edition. Fine copy in Fine trail jacket.Uncorrected Proof of Author's First Novel.Rare in this Format.Excellent copy..
A Good Life
Stock Photo: Cover May Be Different

A Good Life by Ben Bradlee

7 to 14 days for delivery
Standard Shipping: $1.50
Details
$250.00
( US$)
Seller: Jeff Bergman Books ABAA/ILAB
Title
A Good Life
Author
Ben Bradlee
Seller
Jeff Bergman Books ABAA/ILAB (United States)
ISBN
9780684808949
Condition
Fine
Description
Simon & Schuster, 1995. Book. Fine. Hardcover. Presentation & Association. 1st Edition. 8vo - over 7¾ - 9¾" tall. Fine Copy In Like Jacket (As New) First Edition/First Printing.$27.50 On Flap. Presentation And Association To His Editor."For Oz My Grateful Editor And Friend For All These Years. Thanks For All You Did Towards Giving Us Such A Good Life. Ben Bradlee." amazing Copy..
Keep It Simple
Stock Photo: Cover May Be Different

Keep It Simple by Terry Bradshaw

7 to 14 days for delivery
Standard Shipping: $1.50
Details
$95.00
( US$)
Seller: Jeff Bergman Books ABAA/ILAB
Title
Keep It Simple
Author
Terry Bradshaw
Seller
Jeff Bergman Books ABAA/ILAB (United States)
ISBN
9780743417303
Condition
Fine
Description
Simon & Schuster, 2002. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. 8vo - over 7¾ - 9¾" tall. Fine copy in Like Jacket first Edition/First Printing.$24.00 On Flap.Signed by the AuthorOn Ttle-Page.Large Signature of this Super-Bowl Quarterback From Pittsburgh. Ink Stamp On Front Board.
Photographie 1936

Photographie 1936 by Abraham, Pierre; Jean Vétheuil; R. Auvillain (Text by); Gaston Paris; George Hurrel; John Somerset Murray; Marcel Bovis; Mitsutaro Fuku; Kardas; Maurice Tabard; Harry Meerson; Herbert List; Hein Gorny; Cecil Beaton; Pierre Boucher; Thérèse Le Prat; Geo

7 to 10 days for delivery
Standard Shipping: $5.00
Details
$450.00
( US$)
Seller: Eric Chaim Kline - Bookseller
Title
Photographie 1936
Author
Abraham, Pierre; Jean Vétheuil; R. Auvillain (Text by); Gaston Paris; George Hurrel; John Somerset Murray; Marcel Bovis; Mitsutaro Fuku; Kardas; Maurice Tabard; Harry Meerson; Herbert List; Hein Gorny; Cecil Beaton; Pierre Boucher; Thérèse Le Prat; Geo
Seller
Eric Chaim Kline - Bookseller (United States)
Condition
vg
Description
Paris: Arts et Métiers Graphiques, 1935. First edition. Softcover. vg. Folio (12 1/4 x 10"). [14]pp (Text), 120pp (Plates), 121-139, [1]pp (Text and advertisement). Original spiral bound decorative wrappers by Pierre Boucher. "Photographie" was an annual special issue of the magazine "Arts et Métiers Graphiques" entirely dedicated to modern photography, and which published the work of the leading photographers and photographic agencies of the period. This 1936 edition contains 120 striking photographs reproduced in heliogravure, and taken by the following photographers: Gaston Paris; George Hurrel; John Somerset Murray; Marcel Bovis; Mitsutaro Fuku; Kardas; Maurice Tabard; Harry Meerson; Herbert List; Hein Gorny; Cecil Beaton; Pierre Boucher; Thérèse Le Prat; George Platt Lynes; Erwin Blumenfeld; Willy Prager; Marianne Breslauer; Lucien Vogel; Bill Brandt; Chin San Long (Lang Jingshan), and many others. Minor shelf wear. Tip of lower front corner slightly bumped, thus slightly affecting pages throughout. Text and captions in French. Wrappers in overall good+ to very good, interior in very good condition.
Other Dimensions

Other Dimensions by Smith, Clark Ashton

4 to 7 days for delivery
Standard Shipping: $4.95
Details
$210.00
( US$)
Seller: Brenner's Collectable Books
Title
Other Dimensions
Author
Smith, Clark Ashton
Seller
Brenner's Collectable Books (United States)
Condition
Fine
Description
Sauk City, WI: Arkham House, 1970. 1st Edition. Hardcover. Fine/Fine. 8vo., 329pp. Beautiful Unread First Edition, First Printing of the last of Smith's anthologies to be published by Arkham. One of only 3144 copies printed. Square, tight and clean throughout with little or no wear. No toning or foxing, Equally attractive unclipped dust-jacket, ($6.50), is fresh and bright with no chipping, tears or creases. Cover by Lee Brown Coye. A gorgeous collectable copy. (Jaffery, Horrors & Unpleasantries, pg. 101-102).
Plots With Guns

Plots With Guns by Smith, Anthony Neil

4 to 7 days for delivery
Standard Shipping: $1.75
Details
$125.00
( US$)
Seller: Brenner's Collectable Books
Title
Plots With Guns
Author
Smith, Anthony Neil
Seller
Brenner's Collectable Books (United States)
Condition
As New
Description
Tucson, AZ: Dennis McMillan, 2005. 1st Edition. Hardcover. As New/As New. 8vo., 326pp. Beautiful Unread First Limited Edition. One of 156 lettered copies published, this being TT. Bound in original publisher's 1/4 leather over handmade paper covered boards. Square, tight and clean throughout with little or no wear with equally attractive unclipped dust jacket still in original cellophane with publisher's slipcase. Signed by all 24 contributors including Michael Connelly, Jim Nisbet, Laura Lippman, and Kent Anderson. All components are As New. A gorgeous collectable copy at a great price.
The Autobiography of Benjamin Franklin

The Autobiography of Benjamin Franklin by Franklin, Benjamin

4 to 7 days for delivery
Standard Shipping: $1.75
Details
$60.00
( US$)
Seller: Brenner's Collectable Books
Title
The Autobiography of Benjamin Franklin
Author
Franklin, Benjamin
Seller
Brenner's Collectable Books (United States)
Condition
Very Fine
Description
Norwalk, CT: Easton Press, 1976. Collector's Edition. Full-Leather. Very Fine/No Jacket, As Issued. 4to., 233pp. Beautiful Unread First "Collector's Edition", one of Easton's "100 Greatest Books Ever Written". Bound in full leather with titles and decoration stamped in gilt on both boards and spine. All edges gilt. Silk bookmark. Square, tight and clean throughout with no discernible wear. A gorgeous collectable copy at a great price.
Valpurgis; or, The Devil's Festival. In Two Cantos. The Ball and Drawing Room

Valpurgis; or, The Devil's Festival. In Two Cantos. The Ball and Drawing Room by ANONYMOUS [Richard Harris Barham, attr.]; Robert Seymour, illus

4 to 14 days for delivery
Standard Shipping: $6.50
Details
$350.00
( US$)
Seller: Lorne Bair Rare Books
Title
Valpurgis; or, The Devil's Festival. In Two Cantos. The Ball and Drawing Room
Author
ANONYMOUS [Richard Harris Barham, attr.]; Robert Seymour, illus
Seller
Lorne Bair Rare Books (United States)
Description
London: William Kidd, 1831. First Edition. Slim 12mo (16.5cm.); late 19th-century maroon cloth, gilt-lettered spine, original pictorial wrappers laid in; 35pp.; frontispiece and one additional plate by Robert Seymour. A hint of wear to cloth extremities, late 19th-century engraved ex-libris of a Gulielmi Gemmell, illustration signed in plate "E.G.," to front pastedown; mid-20th century ex-libris of Nathan Comfort Starr to front free endpaper; old bookseller's description tipped to p. [36] (blank). Very Good or better overall. Satirical verses inspired by Germany's annual Valpurgis night, first published in the London paper "Intelligence," with illustrations by Robert Seymour, best known for his contributions to the works of Dickens. BIBLIOTHECA DIABOLICA 1831, catalogued under the pseudonym "Facetiae," noting an 1833 edition illustrated by Cruikshank. At least one scholar tenuously attributes the text to author of the "Ingoldsby Legends" Richard Harris Barham based on stylistic similarities (see Graham E. Veritt, "English Caricaturists and Graphic Humorists of the Nineteenth Century" (1893), p. 216n).
Twelve Woodcut Prints of Kitagawa Utamaro Illustrating the Process of Silk Culture

Twelve Woodcut Prints of Kitagawa Utamaro Illustrating the Process of Silk Culture by Utamaro, Kitagawa

7 to 14 days for delivery
Standard Shipping: $8.00
Details
$250.00
( US$)
Seller: Thorn Books
Title
Twelve Woodcut Prints of Kitagawa Utamaro Illustrating the Process of Silk Culture
Author
Utamaro, Kitagawa
Seller
Thorn Books (United States)
Condition
Near fine
Description
San Francisco: Book Club of California; Grabhorn Press, 1965. Limited edition. Hardcover. Near fine. Folio. [i-xiv] [1-22] pp. Quarter parchment with green and light-green decorated paper boards, title in gilt on spine, title-page in black, green and yellow, opening initial letter of the introductory essay in green and yellow, twelve numbered color plates (not included in pagination) from the collection of Edwin and Irma Grabhorn. Finely printed letterpress in handset Goudy Modern type, machine made paper. One of 450 unnumbered copies. Light soil at the center of the spine else this is a fine copy. The Book Club of California's publication for Christmas 1965. Presents the pictures of Kitagawa Utamaro (1783-1806), an eighteenth-century Japanese artist that dealt with the process of silk culture, and the handiwork of women who were responsible for all aspects of making silk. The images together form one continuous composition, and are known as the "Silkworm Series". BCC no. 121; Grabhorn Bibliography, Volume III, no. 652.
An Arthurian Narrative Sonnet Cycle

An Arthurian Narrative Sonnet Cycle by Owens, James J.

7 to 14 days for delivery
Standard Shipping: $2.00
Details
$50.00
( US$)
Seller: Thorn Books
Title
An Arthurian Narrative Sonnet Cycle
Author
Owens, James J.
Seller
Thorn Books (United States)
Condition
Fine
Description
Oak Grove, MN: MIchael E. Coughlin, 2019. Limited edition. Hardcover. Fine. 12mo. 32pp. Black cloth spine, red cloth boards, printed label on the upper board, deep red endpapers. Finely printed by Michael E. Coughlin on a Kluge platen press on Mohawsk Superfine Eggshell paper. The typeface is Garamond, and the drop caps are Trueheart. Frontispiece plate of the Glastonbury cross. In new condition. One of 90 numbered copies (from a total edition of 100) signed by the author and the printer. Thirteen scenes covering the Age of Arthur in sonnet form. The narrative begins with the boy Merlin, King Vortigern and the dragons, then continues through Uther & Ygraine, the Swords, Lancelot & Guinevere, Mordred and finally the unearthing of Arthur's casket at Glastonbury. .
CRATER

CRATER by COOPER, JAMES FENIMORE

7 to 14 days for delivery
Standard Shipping: $8.50
Details
$250.00
( US$)
Seller: Boston Book Company
Title
CRATER
Author
COOPER, JAMES FENIMORE
Seller
Boston Book Company (United States)
Description
FAE. COOPER, James Fenimore. THE CRATER; or, Vulcan's Peak. In Two Volumes. New York: Burgess, Stringer & Co., 1847. First American edition (second issue of Vol. I). Two volumes bound in one (without the wrappers); quarter calf and cloth boards, marbled edges and endpapers. The leather shows wear and the upper spine label is missing; front hinge almost completely split. The text is clean and bright. A good copy. Uncommon. (BAL 3925).
Descriptive Catalogue Frost & Adams Importers of Artist Material, Draughting Papers, Tracing Cloth and Mathematical Instruments

Descriptive Catalogue Frost & Adams Importers of Artist Material, Draughting Papers, Tracing Cloth and Mathematical Instruments

7 to 14 days for delivery
Standard Shipping: $6.00
Details
$175.00
( US$)
Seller: De Wolfe and Wood
Title
Descriptive Catalogue Frost & Adams Importers of Artist Material, Draughting Papers, Tracing Cloth and Mathematical Instruments
Seller
De Wolfe and Wood (United States)
Description
Framingham, MA: Lakeview Press, 1882. Pocket Edition. Paper wraps. 148pp. Covers with with a few holes. Foxing.
Retrospect: Biennale of International Photography

Retrospect: Biennale of International Photography by PHOTOGRAPHIC CENTER OF SKOPELOS

3 to 7 days for delivery
Standard Shipping: $7.50
Details
$50.00
( EU VAT US$0)
Seller: Riverrun Books & Manuscripts
Title
Retrospect: Biennale of International Photography
Author
PHOTOGRAPHIC CENTER OF SKOPELOS
Seller
Riverrun Books & Manuscripts (United States)
Condition
A few marks on wrappers, otherwise fine
Description
Skopelos, Greece: Photographic Center of Skopelos, 1990. First edition. A few marks on wrappers, otherwise fine. 11.25 x 8.25 inches. Text in English and Greek. 110 pages. Profusely illustrated in black-and-white. Original wrappers. Published in conjunction with the exhibition held from 26 June to 20 August.
Only the River Runs Easy. A Historical Portrait of the Upper Green River Valley

Only the River Runs Easy. A Historical Portrait of the Upper Green River Valley by SKINNER, H. L.

3 to 7 days for delivery
Standard Shipping: $2.00
Details
$30.00
( EU VAT US$0)
Seller: Riverrun Books & Manuscripts
Title
Only the River Runs Easy. A Historical Portrait of the Upper Green River Valley
Author
SKINNER, H. L.
Seller
Riverrun Books & Manuscripts (United States)
ISBN
9780871086853
Condition
A near-fine copy with slightest toning at extreme sheet edges, and some light wear to front wrapper
Description
Boulder, CO: Pruett Publishing Company, 1985. A near-fine copy with slightest toning at extreme sheet edges, and some light wear to front wrapper. Oblong. 131 pages. Duotone photographs. Original printed wrappers. FIRST EDITION, first printing, signed by Skinner on the half-title and dated December 1989. A portrait of the first twenty-five mies of the Green River where it flows out of the Wind River Mountains in western Wyoming.
OCKER

OCKER by Inman, P.

5 to 14 days for delivery
Standard Shipping: FREE
Details
$80.00
( EU VAT US$0)
Seller: Brian Cassidy Bookseller at Type Punch Matrix
Title
OCKER
Author
Inman, P.
Seller
Brian Cassidy Bookseller at Type Punch Matrix (United States)
Condition
Very good.
Description
Berkeley: Tuumba Press, 1982. First edition. Very good.. Inscribed first printing of this poetry chapbook, Tuumba 37, from the landmark series devoted (primarily) to the Language Poets, all letter-pressed and edited by Lyn Hejinian. 8.5'' x 5.5''. Publisher's printed wrappers. Inscribed by Inman to Bernard Welt, "For Bernie,/ a 'signed copy,' though printed, / because my longband's terrible, etc-- / From Pete." Touches of wear to edges. Else bright and sharp overall. Limited to an edition of 450, this number 410.
No image available

Retro Blakesberg. Volume One: The Film Archives by Blakesberg, Jay; Coyne, Wayne (foreword); Franti, Michael (intro)

7 to 14 days for delivery
Standard Shipping: $5.50
Details
$75.00
( EU VAT US$0)
Seller: Crooked House Books & Paper
Title
Retro Blakesberg. Volume One: The Film Archives
Author
Blakesberg, Jay; Coyne, Wayne (foreword); Franti, Michael (intro)
Seller
Crooked House Books & Paper (United States)
ISBN
9780965369503
Condition
Like New
Description
Rock Out books, 2022. First Edition. Hardcover. Like New. Blakesberg, Jay. Hardcover with pictorial boards, 12" x 9.75", 312 pp., photographic endpapers, full color photography throughout. Signed by Blakesberg on title page. This is not the limited edition. Photos of rock performers & fans from Blakesberg's long career. Extra postage required for international or expedited shipping.
Hello; A Journal, February 29-May 3, 1976

Hello; A Journal, February 29-May 3, 1976 by Creeley, Robert

2 to 8 days for delivery
Standard Shipping: FREE
Details
$45.00
( EU VAT US$0)
Seller: Carpetbagger Books, ABAA
Title
Hello; A Journal, February 29-May 3, 1976
Author
Creeley, Robert
Seller
Carpetbagger Books, ABAA (United States)
Condition
Near Fine
Description
New York: New Directions, 1978. First Edition. Paperback. Near Fine. Signed by Creeley on the title page. Near Fine. Wraps lightly toned at the edges. Square and firmly bound, clean internally. Creeley's "verse journal" of his travels through Southeast Asia.
The Brooklyn Book of the Dead

The Brooklyn Book of the Dead by Stephens, Michael

2 to 8 days for delivery
Standard Shipping: FREE
Details
$20.00
( EU VAT US$0)
Seller: Carpetbagger Books, ABAA
Title
The Brooklyn Book of the Dead
Author
Stephens, Michael
Seller
Carpetbagger Books, ABAA (United States)
ISBN
9781564780379
Condition
Fine
Description
Normal: Dalkey Archive, 1994. First Edition Thus. Hardcover. Fine/Fine. Review copy with the publisher's slip laid-in. Fine in a Fine jacket, unclipped ($19.95), faintly bumped at the top edge. Dark grey cloth with white ink lettering on the spine. Square and firmly bound, clean internally. Stephens' novel about the Coole family and their trials and tribulations moving to the United States. Described as "the most devastating vision of the Irish-American family since the nightmarish portrayals of Eugene O'Neill and James T. Farrell.
The Port of Missing Men

The Port of Missing Men by NICHOLSON, Meredith

2 to 8 days for delivery
Standard Shipping: $10.00
Details
$55.00
( EU VAT US$0)
Seller: Sandra L Hoekstra Bookseller, ABAA, ILAB, IOBA
Title
The Port of Missing Men
Author
NICHOLSON, Meredith
Seller
Sandra L Hoekstra Bookseller, ABAA, ILAB, IOBA (United States)
Description
Indianapolis: The Bobbs-Merrill Company, Publishers, 1907. Clarence F. UNDERWOOD. [LITERARY WORK] [FICTION] [WOMAN AUTHOR] [DECORATIVE BINDING]. Clarence F. UNDERWOOD, illustrations. First edition. 12mo; 399, [1]pp + [4]pp publisher's ads; navy pictorial cloth over board, lettering in red, a tree framed pastoral scene stamped on front in color, decorated spine; ownership on ffep; fp with tissue guard + 6 additional plates in b&w; light shelf wear; near fine. "The story combines elements of mystery and adventure, centering on the character John Armitage, an enigmatic figure with a past intertwined with European nobility." (Project Gutenberg). In 1914 this book was turned into a silent movie by the same title. The Port of Missing Men was #3 on the 1907 national best selling list. Meredith Nicholson (1866-1947) was an author and politician. He became the U.S. Minister to first Nicaragua, then Venezuela, and Paraguay under the presidency of Franklin D. Roosevelt. (WIKI).
No image available

A Seizure of Limericks. by AIKEN, Conrad.

5 to 14 days for delivery
Standard Shipping: $2.50
Details
$15.00
( EU VAT US$0)
Seller: Jeff Maser, Bookseller-ABAA
Title
A Seizure of Limericks.
Author
AIKEN, Conrad.
Seller
Jeff Maser, Bookseller-ABAA (United States)
Description
NY: Holt, Rinehart and Winston, (1964).. First edition.. [60 pp]. Very near fine in near fine dust jacket that is lightly rubbed. Cover art by Milton Glaser.
Tambay Gold

Tambay Gold by Adams, Samuel Hopkins

7 to 14 days for delivery
Standard Shipping: $5.99
Details
$15.00
( EU VAT US$0)
Seller: Kenneth Mallory Bookseller. ABAA
Title
Tambay Gold
Author
Adams, Samuel Hopkins
Seller
Kenneth Mallory Bookseller. ABAA (United States)
Condition
Very good
Description
NY: Dell, 1943. Mass market paperback. Very good. Mass market paperback. First printing. Spine rolled, wraps darkened and rubbed, else a very good, tightly bound example.

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