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Medical botany by Stephenson & Churchill

7 to 14 days for delivery

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$4,500.00

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Seller: Jeremy Norman & Co., Inc.

Title: Medical botany
Author: Stephenson & Churchill
Seller: Jeremy Norman & Co., Inc. (United States)
Description: London: John Churchill, 1831. Stephenson & Churchill, Medical Botany. 4 vols. in 2, 8vo. Unpaginated. 186 attractive hand-colored botanical plates (numbered 1-185, plus an unnumbered plate of "Atropa belladonna" in Vol. I). 19th cent. half calf, marbled boards, a little rubbed. Minor foxing and offsetting from plates, but a very good set. Ownership signature, dated 1871, on endpaper. First edition. A very handsome series, including the Dublin pharmacopeia, which was not used for Woodville's botany. The handsome hand-colored plates make a very good impression next to more celebrated works by Sowerby, Edwards, etc. See G-M 5740 for Stephenson, who was the first to be operated on by Roux for cleft palate, and who first described the operation in his thesis of 1820. Churchill was the great pioneer of acupuncture in England; see Lu & Needham, "Celestial Lancets," pp. 297-99. Nissen 1891. Pritzel 8946. .

Fine pastel portrait of the composer by Copmann after the 1828 pastel portrait by Christian Horneman (1765-1844). Signed with the artist's initials "PC" and dated 1832 by [KUHLAU, Friedrich 1786-1832]. Copmann, Peter 1794-1850

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$2,300.00

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Seller: J & J Lubrano Music Antiquarians LLC

Title: Fine pastel portrait of the composer by Copmann after the 1828 pastel portrait by Christian Horneman (1765-1844). Signed with the artist's initials "PC" and dated 1832
Author: [KUHLAU, Friedrich 1786-1832]. Copmann, Peter 1794-1850
Seller: J & J Lubrano Music Antiquarians LLC (United States)
Description: 51 x 42 cms. (20 x 16.5"). Canvas over wooden board. A sensitive portrait of the composer, blind in his right eye since childhood, depicted head-and-shoulders, turned right, wearing a blue coat and white-collared shirt. Some minor wear and smudging but in very good condition overall. "Together with C.E.F. Weyse he was the foremost representative of the late Classical and early Romantic periods in Denmark. ... Unlike Weyse, the other principal Danish composer of the period, Kuhlau was extrovert and modern. His style contains many elements of the Danish musical tradition but is mainly cosmopolitan. A conspicuous feature is his parody technique, in which themes, passages and sometimes whole movements by other composers function as a catalyst for his own compositions. However, Kuhlau has his own distinctive artistic character, and his best works - the piano, flute and chamber music and the dramatic works, including several masterly overtures - exerted a profound influence on Danish music during the rest of the 19th century." Gorm Busk in Grove Music Online Hornemann, a Danish painter of pastels and miniatures, was known mainly for his portraits. He was the father of Johan Ole Emil Hornemann (1809-1870) and grandfather of C.F.E. Hornemann (1840-1906), both composers. Of Danish origin, Copmann worked in Copenhagen and as an itinerant portrait and landscape painter in Hamburg and Dresden, Germany. He immigrated to the U.S. in ca. 1834 and was active in Brooklyn, New York (1834); Charleston, South Carolina (1834-35); in New Orleans (1837); and in Louisville, KY (1848). Rutledge: Artists in the Life of Charleston, 154, 177. Encyclopaedia of New Orleans Artists, 86. Artprice Website A highly attractive portrait of this important Danish composer by a Danish-born artist working in the U.S. in the first part of the nineteenth century.

Prelude to a Million Years: A Book of Wood Engravings by Ward, Lynd

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$1,500.00

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Seller: Ken Sanders Rare Books, ABAA

Title: Prelude to a Million Years: A Book of Wood Engravings
Author: Ward, Lynd
Seller: Ken Sanders Rare Books, ABAA (United States)
Condition: Very good
Description: New York: Equinox Cooperative Press, 1933. First edition. Very good. SIGNED. Octavo [23 cm] rebound in half brown sheep with raised spine bands over textured red boards, with gilt titles and backstrip decoration. 1" tear to front joint near foot, rubbing to extremities, else very light wear; foil bookseller's label on rear pastedown, light foxing throughout. A story told entirely via wood engravings by the author. This edition was limited to 920 signed and numbered copies, of which this is an out-of-series copy. Signed on the limitation page by Lynd Ward. This is the fourth of six wordless novels that Ward produced between 1929-1937. Dance 008.

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