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PASQUINO by ROME. ANTIQUITY. RENAISSANCE. Enea Vico (1523-1567), Nicolas Beatrizet (1507-1565), attributed artists. Antonio Lafreri (1512-1577), publisher

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$3,750.00

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Seller: Liber Antiquus

Title: PASQUINO
Author: ROME. ANTIQUITY. RENAISSANCE. Enea Vico (1523-1567), Nicolas Beatrizet (1507-1565), attributed artists. Antonio Lafreri (1512-1577), publisher
Seller: Liber Antiquus (United States)
Condition: Fine
Description: Rome: Antonio Lafreri, 1550. Hardcover. Fine. First state. With Lafreri's excudit: "Ant. LafrerI FormIs Romae MDL" at lower right. Watermark "Duck in a Circle"(cf. Woodward 79-80). A fine impression, rich in tone, with light marginal foxing and light soiling, particularly in the lower right corner, and some trivial surface soiling to the image. An iconic image of the statue known as Pasquino, by far the most famous of Rome's 'statue parlanti' (talking statues) and the eponymous originator of the pasquinade genre. The statue was discovered in 1501 in the Parione district of Rome. Cardinal Oliviero Carafa, "the embodiment of humanist ideals, centering on the revival of antiquity"(Reynolds), erected the statue next to his palace near Piazza Navona, on the site of today's Palazzo Braschi, where it stands to this day. As early as 1501, satirical poems in Latin and Italian, variously celebrating or criticizing the pope, clergy, and nobility, or lampooning private individuals, were affixed to the statue. By 1508, the statue had become the focus of a yearly celebration, held on St. Mark's Day, during which the statue was dressed as a Roman deity or other mythological figure, and anonymous writers attached to it poems written in the "voice" of the statue. In 1511, Pasquino was dressed as Grief, mourning the death of Cardinal Carafa. In 1549, the year before this print was published, Pasquino famously opined on the death of Pope Paul III: 'Here was buried a certain Paul/ a fraud, a fox, thief, murderer;/ Here famous in the mouth of Pasquino/ There suffering in the mouth of the devil." The artist responsible for this print has included a number of pasquinades, in Latin and Italian, shown on bits of paper attached to the walls of Carafa's palace. The ground in front of the statue is strewn with props, a reference to the costumes worn by Pasquino during the St. Mark's Day celebration. In the distance are two pairs of men, the first standing in the piazza and the second strolling towards the statue. Carafa's arms are visible in the shadow on the statue's base. Lafreri's print is a close copy of one published in 1542 by Antonio Salamanca, Lafreri's rival and eventual business partner. The identity of the artist is unknown. Among those to whom the plate has been attributed are Enea Vico and Nicolas Beatrizet. In the same year (1550) that he produced his Pasquino print, Lafreri issued a related print, the Marforio, another of Rome's talking statues, with whom Pasquino frequently held "conversations". The origin of the name "Pasquino" has been debated from the very early 16th century, with no definitive conclusion having been reached. The sculpture itself comprises two figures, believed to be either Menelaus cradling the dead Patroclus or Ajax holding the dead Achilles. The primary inscription is a sonetto caudato. Io non son (come paio) un Babbuino stroppiato, senza piedi, et senza mani, Nemen con glialtri membri sconci et strani, La simmia son di Niccolo Zoppino. Ma son quel famosissimo Pasquino Che tremar faccio i Signor piu soprani, et stupir forastieri et Paesani quando compango in volgare, o in Latino. La mia persona è fatta in tal maniera Per i colpi, e, hor questo hor quel in accocca Per ch'io dico i lor falli a buona cera. Ma infin ch'io ha l'usata lingua in bocca Non ne fo stima, anchor che 'l resto pera et sempre cantaro, Zara a chi tocca Che se la gente sciocca Non si vuol rimaner de i falli suoi Chi terrà me' che no 'l ridica poi. I am not (as I seem), a Babbuino crippled, without hands or feet, Nor, with obscene and strange exotic parts, am I the Ape of Nicolò Zoppino, But I am that most famous Pasquino, who makes the most prominent men shiver. and astonishes the out-of-towners and my fellow citizens when I compose in vernacular, or in Latin. My persona was shaped in this way: by the blows I take from here and from there because I reveal their sins, But as long as I have the use of the tongue in my mouth, I do not care, even if the rest of my body perishes, and I will continue to sing, whatever happens and the people who are offended must deal with it. Because if stupid people do not want to keep their sins to themselves, Who is going to stop me from telling them? The one that was sure to attract the most attention reads: Pasquin tu fuste et sarai semper un pazo Ti sai in ogni forma trasformate Se ti voi alle donne grato fare Per che non ti trasformi int' Vn Ca? Pasquino, you always were and always will be an idiot. You know how to transform yourself into any form If you want to please women, Why don't you turn yourself into a d*ck? Pasquino & Marforio: Witnesses to a Rivalry, Prelude to a Partnership: The engravings of Rome's talking statues, Pasquino and Marforio published in 1550 bear witness to the rivalry between the two leading Roman print publishers of the mid-16th c., Antonio Salamanca (1479-1562) and Antonio Lafreri (1512-1577) and to the vast publishing phenomenon that came to be known as the "Speculum Romanae Magnificentiae" (The Mirror of Roman Magnificence"). In the years following the sack of 1527, the Spanish emigree Antonio Salamanca began producing engravings of Roman subjects with regularity (prior to the sack such prints were few and appeared sporadically). In the 1540s, another emigree printer, the Frenchman Antonio Lafreri (Antoine Lafréry), began a rival enterprise, copying many of Salamanca's engravings. The Marforio and Pasquino, images that Lafreri lifted from Salamanca, both date to this period. In 1553, the two competing Roman publishers entered into a contractual alliance for twelve years, "with the explicit purpose of printing and selling copperplate prints of ancient and modern subjects... When the contractual agreement between Salamanca and Lafreri was established in 1553 the underlying principle of the "Speculum" was in place: it was to be a corpus of documentary prints of ancient and modern Roman subjects, mainly in folio."(Parshall) Lafreri's and Salamanca's engravings, illustrating the ancient and modern marvels of Rome (tombs, temples, palaces, baths, statuary, obelisks, columns, inscriptions, frescoes, etc.), were purchased by tourists as souvenirs, studied by antiquarians, used as models by artists and architects, and circulated as virtual visits for armchair travelers beyond Rome. By the late 1570s, collectors could also purchase an engraved title page while selecting prints for their own Speculum collections. As a result, Lafreri's customers or those of his heirs (Salamanca had died in 1562 and Parshall suggests that the title was only in use after Lafreri's death in 1577), collected images to suit their own needs or taste. After the death of Lafreri, two-thirds of the existing copper plates went to his heirs, and another third was sold to other publishers. These new owners continued to print the existing images while still producing new prints. The Marforio print offered here is in the second state, with the name of one of these later publishers (Pietro de Nobili) added. "Print collecting in the Renaissance is not very well understood, mainly because prints were numerous, comparatively inexpensive, and therefore rarely inventoried. They are less likely than other sorts of objects to come down to us with a clear indication of their original setting. Nevertheless, the evidence of a few large collections from the sixteenth century does suggest some consistent patterns, most notably that prints accumulated in substantial numbers tended to be compiled in albums where they were organized by subject- matter and scale.... There is still much to learn about how such collecting practices evolved and the development of a market to serve them."(Parshall, "Antonio Lafreri's Speculum Romanae Magnificentiae", Print Quarterly , March 2006, Vol. 23, No. 1, pp. 3-28).

American Magazine of Useful and Entertaining Knowledge

7 to 14 days for delivery

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$675.00

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Seller: Alcuin Books, ABAA-ILAB

Title: American Magazine of Useful and Entertaining Knowledge
Seller: Alcuin Books, ABAA-ILAB (United States)
Description: Boston; 1834-1837: Ball and Marshal; John L. Sibly and Benjamin H. Greene, and William D. Ticknor. Small quarto. This comprises all three volumes, each in the original monthly parts fully illustrated throughout.. Volume I: 536 pages (Sept. 1834-August 1835). Voluime II: 520 pages (Sept. 1835--Aug. 1836) and Volume III, 486 pages (Oct. 1836-Sept. 1837). The publisher in 1836 gave Nathaniel Hawthorne his first job as an editor (though he was unnamed in the volumes and also unpaid). What is of particular interest to Hawthorne scholars begins in Volume II, pages 395-397 where Hawthorne has written: "The Duston Family". His account shows he knew Cotton Mather's Magnalia so he used that along with Peter Parley's Method of Telling About History and R.I. Munchk's The History of Haverhill, Massachusetts. Directly above the sketch on page 395 is an illustration from Parley which was copied and modified by the engraver. Samuel Goodrich or another of the officers of the company clearly directed Hawthorne to take the story and write an article on the subject. In one sense, this and other articles in the magazine give us some of Hawthorne's ability to write and tighten up a story. As editor in the American Magazine, he edited Dunlap's work on the design (see pages 367-368, 428, and 488. It is now known that Elizabeth Manning Hawthorne, his sister, worked as a collaborator while he was the editor. A very important set on the sources of New England and believed to have influenced many of the best writers of the era. Bound in green embossed cloth in a floral design, spine lettering and ruled in gilt, two volumes had been backed with old spines laid down, scattered foxing, browning to a few leaves of two volumes, closed tear to three leaves in volume one at page 77. A very good set.

THE JEWS OF THE UNITED STATES 1790-1840 A DOCUMENTARY HISTORY (3 volumes) by Blau, Joseph L. And Baron, Salo W. (editors)

7 to 14 days for delivery

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$58.50

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Seller: Johnnycake Books ABAA, ILAB

Title: THE JEWS OF THE UNITED STATES 1790-1840 A DOCUMENTARY HISTORY (3 volumes)
Author: Blau, Joseph L. And Baron, Salo W. (editors)
Seller: Johnnycake Books ABAA, ILAB (United States)
Condition: Very Good
Description: NY: Columbia University Press, 1963. First Edition. Hardcover. Very Good. An unused set each volume still in publisher's glassine wrappers in clipcase that is a wee dusty. WHY PAY MORE FOR LESS????

Minor Poets: Criticisms Newly Discovered and Collected by Thompson, Francis; Connolly, Terence L. (ed.) [Crowley, Aleister]

7 to 14 days for delivery

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$50.00

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Seller: Crooked House Books & Paper

Title: Minor Poets: Criticisms Newly Discovered and Collected
Author: Thompson, Francis; Connolly, Terence L. (ed.) [Crowley, Aleister]
Seller: Crooked House Books & Paper (United States)
Condition: Near Fine
Description: Los Angeles: Anderson & Ritchie, 1949. First Edition. Hardcover. Near Fine. Full brown cloth boards with gilt lettering, 10-1/2" x 8", 82 pp., hand set by Caroline Anderson, presswork by Earl F. Myers. Hammer and Anvil watermark on endpapers leads one to assume this is one of the 40 copies on Hammer and Anvil (there were an additional 160 copies on Whitehead and Alliger paper). Very minor scuffs. Contains a criticism of Crowley's "Soul of Osiris.

Essays on Church and State by ACTON, Lord

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$26.25

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Seller: Argosy Book Store

Title: Essays on Church and State
Author: ACTON, Lord
Seller: Argosy Book Store (United States)
Condition: very good(+)
Description: London: Hollis and Carter, 1952. hardcover. very good(+)/very good(+). vi + 518 pages. Thick 8vo, blue cloth, d.w. (slight wear and tiny tears. Toning and a few small spots). London: Hollis and Carter, 1952. Slight edgewear to covers. A very good(+) copy in very good(+) dust wrapper.

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The Executive Branch. by ABERBACH, Joel D. and PETERSON, Mark A. (editors).

7 to 14 days for delivery

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$20.00

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Seller: Grendel Books, ABAA/ILAB

Title: The Executive Branch.
Author: ABERBACH, Joel D. and PETERSON, Mark A. (editors).
Seller: Grendel Books, ABAA/ILAB (United States)
ISBN: 9780195173932
Condition: Near Fine in Near Fine dust jacket
Description: NY:: Oxford University Press,. Near Fine in Near Fine dust jacket. 2005. Hardcover. 0195173937 . Part of the Institutions of American Democracy series. No indication of printing. Near fine in a near fine dust jacket. .

Washington and Vietnam: An examination of the moral and political issues by Bromley, Dorothy Dunbar; foreword by John C. Bennett, D. D.

4 to 14 days for delivery

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$12.00

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Seller: Bolerium Books Inc., ABAA/ILAB

Title: Washington and Vietnam: An examination of the moral and political issues
Author: Bromley, Dorothy Dunbar; foreword by John C. Bennett, D. D.
Seller: Bolerium Books Inc., ABAA/ILAB (United States)
Description: Dobbs Ferry, NY: Oceana Publications, 1966. Paperback. viii, 120p., wraps shelfworn, else very good condition.

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