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[The Flowers of Evil] Les Fleurs du mal by Baudelaire, Charles

7 to 14 days for delivery

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$35,000.00

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Seller: Burnside Rare Books, ABAA

Title: [The Flowers of Evil] Les Fleurs du mal
Author: Baudelaire, Charles
Seller: Burnside Rare Books, ABAA (United States)
Condition: Near Fine
Description: Paris: Poulet-Malassis et de Broise, 1857. First Edition. Near Fine. First edition, first printing containing the six suppressed poems: "Les Bijoux", "Le Léthé", "A celle qui est trop gaie", "Lesbos", "Femmes damnées", and "Les Métamorphoses du vampire." With the following issue points: "Feurs" in the headline on pp. 31 and 108; with p. 45 misnumbered 44, and with the last word of the first line on p. 201 "captieux" instead of "capiteux." The first edition of Les Fleurs du mal consisted of 1,300 copies, 200 of which were seized and mutilated after the six "notorious" poems were censored. Bound in full brown morocco with matching marbled-sided slipcase lined in brown morocco by Rene Lieffer, with original second state pale yellow wraps with rear wrap announcing Les Fleurs du Mal bound in. Extra-illustrated with 12 later plates bound in between the title page and first chapter. The extra plates include etchings, engravings, and photographic plates; two of them are illustrations of the "flowers," prepared for later editions. A majority of the remaining plates are portraits of Baudelaire, designed by himself, Manet, Courbet and others. pp. [7], 6-248, [4] + 12 pp. of plates. Near Fine with light foxing to textblock edge and lightly and sporadically throughout. Bookseller ticket to front free endpaper, and with several modern inscriptions to preliminary blanks from recent owners. Light rubbing to binding and slipcase. A beautiful and grangerized copy. Baudelaire's masterpiece and most famous work, a book of lyric poetry expressing the changing nature of beauty in the rapidly industrializing Paris during the mid-19th century. An enormously influential collection of poems famously dubbed a "frisson nouveau" (a "shock" or "shudder" or "thrill" of the new) by Victor Hugo, condemned by French authorities, and held up by the Symbolists and their descendants as one of the first stirrings of literary modernism.

Comic History of England, The [and] The Comic History of Rome by A'BECKETT, Gilbert Abbott; LEECH, John, illustrator

7 to 14 days for delivery

Standard Shipping: $5.50

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$500.00

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Seller: David Brass Rare Books, Inc.

Title: Comic History of England, The [and] The Comic History of Rome
Author: A'BECKETT, Gilbert Abbott; LEECH, John, illustrator
Seller: David Brass Rare Books, Inc. (United States)
Description: London: Bradbury, Agnew & Co., 1872. Leech at His Most Celebrated The Comic History of England & Rome - The Great Victorian Satirical Chronicles [LEECH, John, illustrator]. A'BECKETT, Gilbert Abbott. The Comic History of England. With Twenty Coloured Etchings, and Two Hundred Woodcuts. By John Leech. London: Bradbury, Agnew, & Co., 1855. [Together with:] The Comic History of Rome. Illustrated by John Leech. [London]: Bradbury, Agnew, & Co., [n.d., ca. 1855]. Early editions. Three octavo volumes bound in two (8 1/2 x 5 1/4 inches; 217 x 132 mm.). xii, 320; xii, 304; xii, 308 pp. Title-pages printed in red and black. The Comic History of England with twenty hand-colored steel-engraved plates (including frontispieces), 200 woodcuts, and wood-engraved title-page. The Comic History of Rome with ten hand-colored steel-engraved plates (including frontispiece), 98 woodcuts, and wood-engraved title-page. Handsomely bound ca. 1920 by Bayntun (stamp-signed on the verso of the front free endpaper) in full salmon scored calf. Covers double-ruled in gilt, spines with five shallow raised bands elaborately tooled and lettered in gilt in compartments, brown and green morocco labels, gilt board edges and turn-ins, marbled endpapers, all edges gilt. Housed in the original fleece-lined red cloth slipcase. A fine and most attractive set. A cornerstone of Victorian comic illustration, these two works represent the most celebrated collaboration between John Leech and Gilbert Abbott A'Beckett, and stand among the defining achievements of mid-nineteenth century English satire. Originally issued in parts, The Comic History of England achieved immediate and enduring popularity, presenting a gleefully irreverent re-imagining of the national past - from the Romans to Queen Victoria - through a succession of vividly comic episodes. Its companion, The Comic History of Rome, extends the same treatment to the ancient world, blending classical subject matter with distinctly Victorian wit. Leech's illustrations - both the finely hand-colored plates and the profusion of woodcuts - are central to the success of the enterprise. As a principal artist for Punch magazine and illustrator of A Christmas Carol, Leech helped define the visual language of Victorian humor. His style, at once spontaneous and observant, captures the manners, absurdities, and social nuances of the age with remarkable immediacy. As Simon Houfe observes, Leech established "a convention of social humour that was to last until the 1920s," and his drawings - though often rapidly executed - retain a freshness and vitality that continue to resonate. In these volumes, his work ranges from broad caricature to subtle social observation, offering a richly textured and highly entertaining visual chronicle of both ancient and modern folly. Well-bound sets such as the present example, combining the two Comic Histories in an elegant and cohesive format, are increasingly sought after, particularly when the plates retain strong contemporary coloring and the bindings are of this quality. See: Abbey, Life, 434 and 435; Martin Hardie, pp. 210-211; Tooley 295 & 298.

Zen yang jian ding shu hua 怎樣鑑定書畫 by Zhang Heng 張珩

4 to 14 days for delivery

Standard Shipping: $7.50

Details

$12.00

( EU VAT US$0)

Seller: Bolerium Books Inc., ABAA/ILAB

Title: Zen yang jian ding shu hua 怎樣鑑定書畫
Author: Zhang Heng 張珩
Seller: Bolerium Books Inc., ABAA/ILAB (United States)
Description: Beijing: Wenwu chubanshe 文物出版社, 1966. 28p., slender booklet, very good, first printing. On the identification of antique paintings and calligraphy.

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