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Les Prix Nobel En 1965: The Development of the Space-Time View of Quantum Elektrodynamics Nobel Lecture by FEYNMAN, RICHARD P.

5 to 10 days for delivery

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$22,500.00

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Seller: The Manhattan Rare Book Company

Title: Les Prix Nobel En 1965: The Development of the Space-Time View of Quantum Elektrodynamics Nobel Lecture
Author: FEYNMAN, RICHARD P.
Seller: The Manhattan Rare Book Company (United States)
Description: Stockholm: The Nobel Foundation, 1966. First Edition. Original Wrappers. EXTREMELY RARE SIGNED FIRST EDITION OFFPRINT OF FEYNMAN’S NOBEL PRIZE LECTURE. Feynman fancied himself a man who could see through the fluff. When asked by the BBC whether his findings deserved a Nobel Prize, Feynman classically responded: “I’ve already got the prize. The prize is the pleasure of finding the thing out, I don’t believe in honors.” This attitude—what Feynman himself coined, “a disrespect for the respectable,”—was a product of his upbringing. As a young boy, Feynman’s father, a uniform salesman, would often attempt to teach the young Feynman a lesson, opening a photo in the New York Times and showing Feynman an image of the Pope or a politician, surrounded by bowing admirers. He would then ask Feynman what made the Pope different from the ‘ordinary’ people around him. The answer, his father explained, was in the man's uniform, his title, and his prizes. [Sykes, “The Pleasure of Finding Things Out”]. This early ‘disrespect for the respectable’ was intertwined with Feynman's approach to knowledge. He detested false certainty: those who used big words without knowing their meanings, or theorized without understanding basic principles. This attitude is reflected in his scientific approach. Colleagues recalled how, when they presented theories to him, Feynman would make them explain their ideas from the ground up. Starting with elementary questions, he would force them to build their arguments from the simplest foundations. Inevitably, at some point, a hole in the theory would appear—revealed by Feynman’s method of thinking from bedrock knowledge [Sykes; Leighton]. Perhaps Feynman disliked awards because he understood them as working as an opposite process: creating differences not on bedrock, but on the basis of status conferred by, what he saw as, detached ceremonies in far off lands. It’s also difficult to gauge if this attitude was wholly genuine. Feynman was a showman. Stories abound of Feynman’s muted reaction to the Nobel. When awoken by a reporter at 3:00 AM, told of his award, and asked if he was pleased, Feynman responded, “I could have found out later in the morning.” When, at a more reasonable hour, a reporter asked if there was a simple explanation of what he had discovered, Feynman—who never lacked for words—responded that, “there certainly must be… but I don’t know what it is”[Douglas Smith]. For all of his public lack of concern in titles and distinction, by the time of his 1965 Nobel ceremony, Feynman seemed to have experienced a shift. In his acceptance speech, Feynman remained deeply critical of false knowledge. But he also expressed that honors “can generate good feeling, even love among men, even in lands far beyond [their] own.” As Feynman identified it, after the joy of discovery, comes a more personal occurrence: “the prize, and a deluge of messages — from friends, from relatives, from students, from former teachers, from scientific colleagues, from total strangers…..The prize was a signal to permit them to express and me to learn about their feelings. Each joy, though transient still, repeated in so many places, amounts to a considerable sum of human happiness. And each note of affection, released thus one upon another, has permitted me to realize a depth of love for my friends and acquaintances, which I had never felt so poignantly before.” As part of his Nobel acceptance, Feynman delivered a much-awaited lecture on his winning research, titled ”The Development of the Space-Time View of Quantum Electrodynamics”. Perhaps unsurprisingly, Feynman took a personal tone in this address, tracing his personal and intellectual relationship with Quantum Electrodynamics (QED). Feynman reflected that, as an undergraduate at MIT, he had been most inspired by reading German-Jewish Physicist Walter Heitler, and English Physicist and Mathematician Paul Dirac. What stood out most to him in Dirac’s texts were not his calculations but Dirac’s motions to the theory’s incompleteness. This incompleteness, Feynman labeled both, “a challenge and an inspiration.” Throughout the lecture, Feynman detailed the development of his theorization and scientific thinking: “My general plan was to first solve the classical problem, to get rid of the infinite self-energies in the classical theory, and to hope that when I made a quantum theory of it, everything would just be fine.That was the beginning, and the idea seemed so obvious to me and so elegant that I fell deeply in love with it.” Feynman’s Nobel lecture is packed with detailed anecdotes, explorations of QED, and reflections on the purpose of scientific inquiry—particularly inquiry which is unafraid to approach problems from multiple angles. Throughout his address, Feynman maintains a strong commitment to the idea that incorrect science is not a failure but a vital part of progress. Missteps, he suggests, are essential to discovery; they open the doors through which other advancements can emerge. Feynman reflected: “It is most striking that most of the ideas developed in the course of this research were not ultimately used in the final result…. But, if my own experience is any guide, the sacrifice [of discarded ideas] is really not great because if the peculiar viewpoint taken is truly experimentally equivalent to the usual in the realm of the known there is always a range of applications and problems in this realm for which the special viewpoint gives one a special power and clarity of thought, which is valuable in itself.” The Feynman speaking in this lecture is recognizable for his enthusiastic approach to dense physics, his charismatic telling of a tall tale, and his unflinching certainty that knowledge can not be granted, but must be earned. The Feyman offprint is signed and dated, “Richard P. Feynman / 7.20.66”. It was signed for Peter Zimmerman, an American Ph.D. candidate in physics at Lund University in Sweden. Zimmerman later worked for the United States Arms Control and Disarmament Agency. With an autograph note from Feynman’s secretary Better Brent (dated 7-20-66) to Peter Zimmerman titled “Nobel Lecture” and answering a question from Zimmerman concerning changes between the delivered speech and the printed form. (Brent had typed the speech from the recording of the speech and noted that she made no major changes.) Also with an inscribed first printing of Robert Hofstadter’s lecture for the Nobel Prize in Physics for 1961 titled, “The Electron Scattering Method and its Application to the Structure of Nuclei and Nucleons”. Inscribed “To Pete Zimmerman / with compliments of / the author. / R. Hofstadter.” Stockholm, Sweden: The Nobel Foundation, 1966. Thin octavo, original printed wrappers. Fading around wrapper edges; mild imprint from paperclip at top of rear wrapper and final page. With autograph note from Feynman’s secretary Bette Brent and invitation to the 1965 Nobel Prize banquet. Also with: HOFSTADTER, ROBERT. Les Prix Nobel en 1961: The Electron Scattering Method and its Application to the Structure of Nuclei and Nucleons. Stockholm, Sweden: The Nobel Foundation, 1962. Thin octavo, original wrappers. Some toning around the edges. Housed together in custom box. EXCEEDINGLY RARE: We are aware of only one other signed offprint of Feynman’s speech that has been on the market. References: -Nobel Prize Official Website -Ralph Leighton, interview by Stephen Dubner , “The Curious Mr. Feynman,” Freakonomics Radio, January 21, 2024, podcast audio, transcript, Freakonomics -Richard P. Feynman, “Banquet Speech” (speech delivered at the Nobel Banquet, Stockholm, December 10, 1965) -Smith, Douglas. “Feynman’s Nobel Year.” Cal Tech Local, October 21, 2015. -“The Pleasure of Finding Things Out.” Christopher Sykes, 1981; video.

ILLUSTRATIONS OF JAPAN: Consisting Of Private Memoirs And Anecdotes Of The Reign by TITSINGH, M. Isaac

7 to 14 days for delivery

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$16,575.00

( US$)

Seller: Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY

Title: ILLUSTRATIONS OF JAPAN: Consisting Of Private Memoirs And Anecdotes Of The Reign
Author: TITSINGH, M. Isaac
Seller: Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY (United States)
Description: London 1822, Ackerman. Dark purple tooled leather, raised bands, 25 hand colored aquatint copper etchings in 13 plates many fold-outs, very clean, 325p., small folio, 24 x 31.5 cm all edge gilt, gold stamped. VERY NICE COPY. QUITE RARE ! . *** *** *** . . . ONE OF THE MOST IMPORTANT HAND-COLORED BOOKS . . . ON JAPAN OF THE 19 CENTURY. . * SUBTITLE: continued: "...And of the Ceremonies Customary Marriages and Funerals: to Which are Subjoined, Observations of the Legal Suicide of the Japanese, Remarks on their Poetry, an Explanation of their Mode of Reckoning time, Particulars Respecting the Dosia Powder, the Preface of a Work by Confoutzee [Confucius] on Filial Piety, &c. &c. Translated from the French by Frederic Shoberl." . *** THE SUPERB COLOR COPPER-ETCHED ENGRAVINGS: . The book contains hand-tinted engravings along with color printed illustrations. . Magnificently copper-engraved color plates, showing illustrations of early 19th century Japan which, at that time, was still closed to Foreigners. Titsingh was chief agent for the Dutch East India Company stationed in Nagasaki. He described feasts & ceremonies of the Japanese court [a hand-tinted color foldout plate 98 cm. long !], marriages, funerals, law, poetry, chronology, furniture, earthquakes &c. . *** TITSINGH'S PRIMARY OBSERVATIONS: He also gave valuable and new first-hand information on Japan, based on his personal observations, which otherwise were not available elsewhere. The most important book of the time period because Japan was essentially closed to the rest of the world. With lavish hand-colored plates. . A treasure & superb addition to any collection and library. . *** By and large the most important and most valuable small folio color plate book published on Japan in English of the epoch. . *** DESHIMA ISLAND: A marvelous primary resource and historic work ! Titsingh was the chief for the Dutch East India Company, and was stationed in at Deshima, a tiny island reserved for the Dutch in the Nagasaki harbour. Deshima was closed off of to the rest of Japan. . *** Color photos are posted to our website. . *** SPECIFIC COPY DETAILS: . COPY 1: The Binding: Bound in full recent red moroccan leather, gold-stamped rule lines, 5 raised bands, marbled endpapers, firmly bound and solid. A fine example of excellent workmanship and binding, about as good as it can get. . Contents: This copy has a perforated library name on the back side of the color frontispiece, and on the right side of the title page barely touching the last 3 letters of "Nagasaki." This is on several other pages and all of the color plates. . There is also a red oval library stamp with "withdrawn" stamped in black on this page. . The title page has the same perforated library name, in the right margin, partially over the last 3 letters of "Nagasaki.". . There is an identical oval red stamp over the word: "Printed" [For R. Ackerman]." . The title page has somef eint foxing please see photos posted to our website for details, see spine.jpg, and images: illus09.jpg through illus14.jpg for this copy details. . Several other pages have occasional feint foxing through out. . Otherwise the contents are bright, clean, no marks or stains. . The book looks stunningly beautiful in is superb binding. . * COPY 2: IN THE ORIGINAL PUBLISHER'S RED CLOTH BINDING: The Binding: . This book is bound in the original [1822] red blind-stamped cloth, with gild spine titles and front & back cover embossed & gilt-stamped oval design, reading: "THE SOCIETY OF WRITERS TO THE SIGNET." . Below that is the blind-stamped impression of a Chinese man and woman in elaborate robes, looks like the publisher didn't know the difference between Japanese & Chinese. . The original cloth spine has been laid over a pebbled red-matching cloth spine. There is some minor loss to the original spine near the head & tail. The top and bottom edges are a bit rubbed, and the corners are bent, rubbed. There are 2 small lines of what looks like period black writing ink, about 1 cm., & 1.5 cm. long, by 1-2 mm. wide on the front lower cover. . The Contents: . The title page and hand-colored frontispiece as well as all of the plates and text are bright, superbly clean and in fresh condition, no transfer or issues. There is a touch of the usual minor bit of 'toning' to the leading edges of the signatures as usual. . See photos on our website, illus08.jpg & illus09.jpg. . * COPY 3: Binding: Bound in full dark purple morocco leather, with elaborate gold-stamped decorations, lines blind-stamping, five raised bands and marbled endpapers. There is some of the usual cover scuffing, scratches and small imperfections. . The inside front cover hinge was reinforced with stiff period marbled paper & a small patch inside the front cover in the left corner. The inside back hinge and marbled papers are completely intact. All edges gilt, the book is firmly bound and solid. . The contents: Contents are very bright, clean & solid, the illustrations are fine, with no transfer or issues. There is a tiny bit of the usual minor & feint signature edge 'toning' but not greatly noticible. . This copy has the armoral book plate and Coat-of-Arms of James Garland Albert Jr.,[1870-1906], an American socialite. . See 3 photos of this binding on our website: illus06.jpg, illus07.jpg & illus15.jpg. . *** REFERENCES: . google: JAMES+ALBERT+GARLAND+JR. * H. Cordier: JAPONICA Japonica 449 * Abbey Travel 557 * Tooley 489 . *.

The Third Life of Grange Copeland. A novel. by Walker, Alice

4 to 14 days for delivery

Standard Shipping: $20.00

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$450.00

( US$)

Seller: Michael R. Thompson, Booksellers, ABAA/ILAB

Title: The Third Life of Grange Copeland. A novel.
Author: Walker, Alice
Seller: Michael R. Thompson, Booksellers, ABAA/ILAB (United States)
Description: New York: Harcourt, Brace Jovanovich, [1970] First edition of the author's first novel. Original red cloth over charcoal boards, spine stamped in silver. Octavo. Top corners lightly bumped. Light shelfwear, top corners lightly bumped. Spine of jacket slightly browned, one of jacket slightly browned, quarter-inch tear in jacket. Very good plus, in like jacket. Inscribed by the author, "for Alice & Bob with great good wishes. Alice Walker 7/31/70."

TESOROS DEL MUSEO NACIONAL DE MEXICO. ESCULTURA AZTECA. 20 FOTOS DE MANUEL ALVAREZ BRAVO.; Prólogo de Benjamín Pérez

7 to 14 days for delivery

Standard Shipping: $10.00

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$200.00

( US$)

Seller: Beverly Karno Books LLC

Title: TESOROS DEL MUSEO NACIONAL DE MEXICO. ESCULTURA AZTECA. 20 FOTOS DE MANUEL ALVAREZ BRAVO.; Prólogo de Benjamín Pérez
Seller: Beverly Karno Books LLC (United States)
Condition: (marginal foxing and some water stains in endpapers; partly detached spine in inner front board, library ex-library stamp in inn
Description: México: Ediciones Ibero Americanas, 1943. (marginal foxing and some water stains in endpapers; partly detached spine in inner front board, library ex-library stamp in inner front cover; library catalog label tipped-in verso board; some pencil marks., not affecting text or plates; o/w, very good copy). plus 20 b/w tipped-in plates of reproduced photographs (possibly offset), rebound boards with original wrappers bound in, gold stamping in spine. Photography by Manuel Alvarez Bravo of Aztec sculptures found in the National Museum of Mexico. ENGLISH AND SPANISH TEXT by Péret. Scarce.

Ricordo di Pisa. 32 vedute [cover title]

3 to 6 days for delivery

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$51.75

( EU VAT US$0)

Seller: Rulon-Miller Books

Title: Ricordo di Pisa. 32 vedute [cover title]
Seller: Rulon-Miller Books (United States)
Description: [Milano: Cesare Capello, n.d.], 1930. Accordion-fold view book 6¾" x 4½" containing 31 photolithographic illustrations (1 double-page); map endpapers; captions on verso in English, Italian, German, and Spanish; original decorative color with pictorial pastedowns; lightly rubbed, else very good. On back cover: CCM (i.e. Cesare Capello, Milano), interlaced. Map after a drawing by Attilio Bartalini.

Murder Unleashed by Bennett, Dorothy

7 to 14 days for delivery

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$30.00

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Seller: ReadInk

Title: Murder Unleashed
Author: Bennett, Dorothy
Seller: ReadInk (United States)
Condition: Very Good in Fair dj
Description: New York/Chicago: A.L. Burt Company. Very Good in Fair dj. (c.1935). Reprint. Hardcover. [moderately shelfworn book, binding solid, no markings in text; jacket is well-worn, with numerous small tears and chips (including a quarter-size piece missing at lower right corner of front panel), spine heavily faded, some paper loss at top of spine (taking away part of title), a handful of old internal tape-mends]. Mystery novel about "the curious murder of the 'White Flower' of San Francisco night life." The author's first novel, it was (it sez here) "definitely stamped with her own attractive personality." A native of Berkeley, California, the author had cut her writing teeth in an Oakland newspaper office following her graduation from the University of California in 1925, and had also published a good deal of poetry and magazine fiction in the first decade of her professional life. She opened 1935 in a big way: this mystery yarn was actually one of a pair of "first books," the other being a long narrative poem entitled "How Strange a Thing," described as "a detective novel in verse. The two books were issued simultaneously (by different publishers) in February 1935 -- but as if that wasn't enough, the previous month had seen the Broadway premiere of a play called "Fly Away Home," which she had co-written with Irving White. Of the various career paths suggested by this multi-media blitz, the one that bore the most lucrative fruit was the latter, sort of: the play was bought for the movies, and like so many fledgling writers before her, she headed for Hollywood, where she embarked on a moderately successful screenwriting career. (Her most notable credit was probably the THE BRASHER DOUBLOON, the 1946 adaptation of Raymond Chandler's "The High Window." Her play itself wasn't filmed until 1942, under the title ALWAYS IN MY HEART.) As far as I can discover, she only wrote one addtional mystery novel, "Come and Be Killed," published as a digest-pulp original 1942. (And, by the way, she should not be confused with a British writer bearing the same name, who wrote a handful of mysteries between 1947 and 1972. Or with Dorothy Cheston Bennett, wife of Arnold Bennett.) (She was, however, sometimes known under her married name, Dorothy Hannah .

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