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In the Time of The Butterflies

In the Time of The Butterflies by ALVAREZ, Julia

3 to 14 days for delivery
Standard Shipping: $7.00
Details
$15.00
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Seller: Jeff Hirsch Books, ABAA
Title
In the Time of The Butterflies
Author
ALVAREZ, Julia
Seller
Jeff Hirsch Books, ABAA (United States)
ISBN
9781565120389
Description
Chapel Hill, NC: Algonquin Books of Chapel Hill, 1994. First edition. Softcover. Advance reading copy of Alvarez's second well received novel. A near fine copy in illustrated wrappers.
Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906

Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906 by National Gallery of Art

5 to 14 days for delivery
Standard Shipping: $6.69
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$5.00
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Seller: Yesterday's Muse Books
Title
Post-Impressionism: Cross-Currents in European and American Painting, 1880-1906
Author
National Gallery of Art
Seller
Yesterday's Muse Books (United States)
ISBN
9789990705966
Condition
Very Good
Description
Washington, D.C: National Gallery of Art, 1980. Second Edition, Revised. Large Softcover. Very Good. 10x8x0. Second edition, revised. Spine creased, light edge wear. 1980 Large Softcover. 248 pp. This exhibition is a celebration and an exploration. The towering masters of post-impressionism, most notably Cezanne, van Gogh, Gauguin, and Seurat, are among the most beloved artists in the entire canon of western painting. Fortunately, they are well represented in many American museums. Less seen by the public are the fabulous holdings in private collections and in the more out-of-the-way public collections abroad. The opportunity to gather together some of the major achievements of these four artists from all these sources would in itself be cause for rejoicing. In addition to this the National Gallery has the opportunity to present an exhibition that goes far beyond this limited selection. So dazzled have we become by the achievements of the major figures working in France that we have tended to scant the complex and fascinating context of artistic experimentation that characterizes this fecund period, not only in France but in countries across Europe and in the United States. This exhibition is the first in which that context has been so comprehensively examined. For the American version, however, the size of the exhibition has been reduced by almost a third; the focus sharpened, with a greater concentration on a smaller number of artists; the span of the show precisely defined between 1880 and 1906, the year of Cezanne's death; and an American section added. It had been, in fact, the original intention of the organizers to include the work of American artists, and they were delighted when the Gallery offered its curator of American painting, John Wilmerding, who collaborated with Professor Wanda Corn to select this additional section and write the texts accompanying it. The original catalogue, a model of its kind, has already become an art-historical reference work; this present publication records the show in its new form, with an abbreviated version of the original introduction, brief essays for each country and biographical sketches for each artist.

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