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Da cheng zao xiang gong de jing 大乘造像功徳經; in Japanese: Daijo zozo kudoku kyo [Creation of the Statue, a Pious Act]; title in manuscript on upper cover: “Zozo kudoku kyo.” by TIYUNBANRUO 提雲般若 (or, in Sanskrit, DEVENDRAPRAJNA), trans

7 to 14 days for delivery

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$25,000.00

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Seller: Jonathan A. Hill, Bookseller, Inc.

Title: Da cheng zao xiang gong de jing 大乘造像功徳經; in Japanese: Daijo zozo kudoku kyo [Creation of the Statue, a Pious Act]; title in manuscript on upper cover: “Zozo kudoku kyo.”
Author: TIYUNBANRUO 提雲般若 (or, in Sanskrit, DEVENDRAPRAJNA), trans
Seller: Jonathan A. Hill, Bookseller, Inc. (United States)
Description: 1615. 14; 13 folding leaves. Two parts in one vol. Large 8vo, cont. or later dark wrappers dyed with persimmon juice (shibubiki), new stitching. [Japan, probably Kyoto: printed with moveable types, ca. 1615-40]. A very rare edition printed with moveable types, apparently unrecorded in the standard bibliographies, of the story — or legend — of the creation of the first statue of Siddhartha Gautama or Gautama Buddha, the founder of Buddhism. The statue, executed while Buddha was still alive, was commissioned by King Udayana of Kaushambi, a contemporary of Buddha. It was the very first image of Buddha, and is especially important as it was carved from life. Copies of this statue made their way to China with the spread of Buddhism and, later, as we shall see, to Japan. The text provides a history of the creation of the first statue of Buddha, which is perhaps the most famous of all Buddha images. King Udayana commissioned the statue “so that he could gaze upon the sacred form of the Buddha while the latter was off preaching to his mother in the heaven of Indra. Buddha’s disciple Maudgalyayana transported thirty-two craftsmen up to the heavenly realm so that they could observe the special marks of the Buddha firsthand, thereby insuring the representational accuracy of the image they created. When the Buddha eventually returned to the earth, King Udayana’s statue rose into the air to greet him of its own accord, and the Buddha proclaimed that it would one day help to transmit his teachings.”–Brown, ed., The Oxford Handbook of Religion and the Arts, p. 371. We learn that the statue was carved out of sandalwood and that later copies were made of gold, silver, bronze, lead, tin, or iron, as well as of wood. This text was translated by the Khotanese monk Tiyunbanruo (d. 691 or 692), whose original Sanskrit name was Devendraprajna. Khotan was an ancient Iranian Saka Buddhist kingdom on the branch of the Silk Road that ran along the southern edge of the Taklamakan Desert, near modern-day Xinjiang. Tiyunbanruo came to Luoyang, the “Eastern Capital” of the Tang dynasty of China, in about 688, with a considerable reputation as a Buddhist missionary and set up a bureau to translate Buddhist texts into Chinese. An earlier edition of this text was published in Beijing in 1593, and only one copy is known, at the BnF. This book was probably printed and issued as a way to reinforce the legitimacy of the famous Buddha statue of the temple of Seiryoji, in the Saga fields of Kyoto. It is one of the chief objects of religious veneration in Kyoto. A copy of the original statue, also commissioned by King Udayana, was brought from the castle at Kaushambi in north-central India to China by Hsuan-tsang in 645. The statue moved many times and ultimately arrived at Kaifeng, the Sung capital. The Japanese monk Chonen (938-1016), who spent the years 983-86 in China studying and collecting texts, had worshiped the statue in Kaifeng and commissioned men in 984 to carve a copy to bring back to Japan. The copy was ultimately installed at Seiryoji and, according to Japanese tradition, the Chinese “original” and Chonen’s copy had miraculously changed places — the Seiryoji Buddha was actually the authentic example commissioned by Udayana. The Seiryoji Buddha is “probably the most important, best-documented and best-preserved sculpture now existing which represents the school and tradition of Buddhist sculpture connected with the sacred Udayana image of the living Buddha of which Hsuan-tsang brought a copy to the court at Ch’ang-an.”–Henderson & Hurvitz, “The Buddha of Seiryoji: New Finds and New Theory,” Artibus Asiae, Vol. 19, No. 1 (1956), p. 43–(and see the whole fascinating article). As mentioned above, this rare work is printed with moveable types. It was, at one time, owned by the great Japanese dealer Shigeo Sorimachi. The chitsu has the characteristic handwriting on the label of Sorimachi’s assistant, Mr. Mori, who has written: “Zozo kudoku kyo. Genna kan’ei chu kan. Kokatsu ban” [“Creation of the Statue, a Pious Act. From Genna to mid-Kan’ei edition (ca. 1615-40). Moveable type”]. It is not cited by Kazuma Kawase, Kokatsuji-ban no kenkyu [Study of the Early Typographic Editions of Japan] (1967), the definitive bibliography of Japanese moveable type books. There is no copy in WorldCat nor the Union Catalogue of Early Japanese Books. In very good condition. The first ten folding leaves, which are a little stained, have some repaired worming and strengthening. The following leaves have some worming, some carefully repaired and others, as the worming lessens, not repaired. Several characters affected by the worming. As mentioned above, the wrappers have been dyed with persimmon juice, which serves a dual purpose: to strengthen the paper and act as an insect repellent. ❧ Wang Zhenping, “Chonen’s Pilgrimage to China, 983-986,” Asia Major, Third Series, Vol. 7, No. 2 (1994), pp. 63-97. Martha L. Carter, The Mystery of the Udayana Buddha (Naples: 1990).

Poems and Essays by a Lady Lately Deceased (in 2 vols) by [Bowdler, Jane]

4 to 7 days for delivery

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$800.00

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Seller: Whitmore Rare Books

Title: Poems and Essays by a Lady Lately Deceased (in 2 vols)
Author: [Bowdler, Jane]
Seller: Whitmore Rare Books (United States)
Description: Bath: R. Crutwell, 1786. Second edition. Contemporary calf with morocco labels to spines. Hinges front and rear cracked on both volumes but holding well, with the front of volume I being the most tender. Some chipping to extremities of spines, with some small loss near the crown of volume I. Bookplate of the Marquess of Headfort to front pastedowns of both volumes. Front endpaper loose on volume II. Internally clean, with none of the foxing typical of imprints from this period. Collates vii, [1, blank], [2], 250; [2], 194. Scarce in institutions and trade, ESTC reports only 14 university libraries in the North America holding the first edition of this title and 10 holding copies of the present second edition. While now remembered as a member of the infamous Bowdler family -- associated with the censorship or "Bowdlerization" of Shakespeare done by her brother, the editor John Bowdler -- Jane was a poet in her own rite, and a mentor to her sister, the Bluestocking Henrietta Maria Bowdler. Passing the end of her life in hospital as an invalid, Jane composed multiple poems and essays which, at her death, Henrietta Maria compiled and published for the benefit of Bath hospital. This act, in its own time at least, cemented Jane's celebrity as a talented poet lost too soon." The book became extraordinarily popular. Seventeen editions were published at Bath in rapid succession...Queen Charlotte is said to have found the poems so comforting that she read them three times" (ODNB). This may have been the aim of Henrietta Maria, the author of Pen Tamar (a novel defending single women) and the friend of fellow Bluestocking Hannah More (the author of Strictures on Female Education). In her preface, Henrietta Maria provides the reader with a specific portrait of her sister. "The following Poems and Essays were written to relieve the tedious hours of pain and sickness. The Reader who seeks amusement only may possibly receive no gratification from the perusal of them...To the humble and pious Christian, who feels the pressure of distress and seeks in religion that consolation which nothing else can bestow, to him is presented an example of patience and resignation which no sufferings could conquer." Jane becomes, in this, not a trivial poet. Either of these would be problematic for a woman. Instead, Henrietta Maria crafts her into an exemplar of patience, a woman of piety who turns to her faith in the appropriate moments and gains comfort, and a poet driven by Christian impulse and not ambition to share her experience in writing. It further pressed the idea that Jane, or even Hannah More and Henrietta Maria herself, had right to enter Christian and literary dialogues. ESTC T54036.

Floor Games by WELLS, H.G.

2 to 8 days for delivery

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$300.00

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Seller: Sandra L Hoekstra Bookseller, ABAA, ILAB, IOBA

Title: Floor Games
Author: WELLS, H.G.
Seller: Sandra L Hoekstra Bookseller, ABAA, ILAB, IOBA (United States)
Description: London: Frank Palmer, 12-14 Lion Court, 1911. J.R. SINCLAIR. [JUVENILE] [ACTIVITY BOOK]. J.R. SINCLAIR, illustrations. Neill and Company, Limited, Edinburgh, printer. J.R. SINCLAIR, marginal illustrations. First edition. 8vo; 71pp; navy cloth over board, cream stamped lettering on front and spine, color pictorial onlay of children playing on the floor on front board; 7 b&w half-tone photographic illustrations including fp; small line drawings in blue throughout text; light foxing and age-toned paper; very good. A surprising children's book from the well-known British futurist author, H. G. [Herbert George] Wells (1866-1946). Well known for his "The War of the Worlds" [1898], he wrote novels and short stories and is considered to be the "father of science fiction" by some. This book was written for his two sons who are pictured on the front board. The book details children's floor play in building towns, cities, in different cultures using blocks, boards and planks, bricks, cardboard tubes, trains, and toy soldiers. War games are quickly touched on in the final chapter. The dialogue is directed at both children and their adult caretakers.

1883 – An oil company’s response to a customer query on matching stationery that features a portrait of Colonel Edwin Drake, inventor of the first commercially successful method of drilling for oil by Alfred Whitaker

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$200.00

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Seller: Kurt A. Sanftleben

Title: 1883 – An oil company’s response to a customer query on matching stationery that features a portrait of Colonel Edwin Drake, inventor of the first commercially successful method of drilling for oil
Author: Alfred Whitaker
Seller: Kurt A. Sanftleben (United States)
Condition: Very good
Description: Cleveland, Ohio, 1883. Envelope or Cover. Very good. This letter and its matching envelope sent by the Brooks Oil Company of Cleveland are both illustrated with portraits of Colonel Edwin Drake, “The first successful Producer of Petroleum.” The letter is dateline Cleveland, O. Apr 21, 1883. The envelope bears circular Cleveland, Ohio postmark and is franked with a green 3-cent Washington Stamp cancelled with a carved-cork ‘four-v’ handstamp. The letterhead reads “Brooks Oil Company / Manufacturers of the / Col Drake’s Cylinder Oil & Corliss Engine Oil.” The letter is signed by Alfred Whitaker, the company president. . After briefly attending Mt. Union College in Pennsylvania, Alfred Whitaker bounced between jobs, and in 1871 he was hired as a traveling salesman for the American Lubricating Company of Cleveland, Ohio. After representing the company at the Centennial Exposition in 1876 in Philadelphia, he returned to Cleveland inspired to start his own oil company despite the odds that his efforts would be crushed by the petroleum giant, the Standard Oil Company. He relentlessly traveled across the county promoting his gasoline and lubricating oil in every state and even visited Europe. The Brooks Oil Company was founded in 1876 in Cleveland where it produced gasoline and lubricants. After securing a foothold in the industry, he struck pay dirt by inventing Leadolen, a high-pressure lubricant for steel mills followed by Klingfast and Barcote used in the forging industry. The company was purchased by the Premier Industrial Corporation in the late 1960s. Edwin Drake was hired in the late 1850s by oil speculator, James Townsend, to search for deposits near Titusville, Pennsylvania, where ground seepage had been seen. Oil prospecting at the time was done by digging trenches, but Drake acted on a hunch and, initially without success began boring holes deep into the ground as was done in salt mining. Running low on cash and surviving on credit, he found “Uncle Billy” Smith, a blacksmith to help build a pinewood derrick and invent a method to keep water out of excavated shafts. Finally, Drake struck oil nearly 70 feet down on 18 August 1859, and by early fall, the Oil Rush was on. Drake, however, was let go by Townsend. Worse, he never bothered to patent his system. Fortunately, later in life, grateful oil tycoons provided him with financial support and the Pennsylvania legislature rewarded him with a $1,500 annual annuity. .

STRING LIGHT by Wright, C(arolyn). D.

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$75.00

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Seller: Lorne Bair Rare Books

Title: STRING LIGHT
Author: Wright, C(arolyn). D.
Seller: Lorne Bair Rare Books (United States)
Description: Athens: University of Georgia Press, 1991. First Edition. Photographic wrappers; 8vo. 62 pp. Paperback issue of this early book by one of our major poets. Easily very good copy, covers lightly soiled, a few squiggly impressions on verso but tight and with little wear.

Whale Fishery of New England

7 to 14 days for delivery

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$35.00

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Seller: Johnnycake Books ABAA, ILAB

Title: Whale Fishery of New England
Seller: Johnnycake Books ABAA, ILAB (United States)
Condition: Very Good
Description: Boston: State Street Bank, 1915. Soft cover. Very Good. 64 page illustrated brochure about the whaling industry, largely focused in New Bedford and Nantucket, published not too long after the whaling industry had seen its demise with the advent of oil. An early, popular history of the whaling commerce. Some loss to spine. Internals very good.

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