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Wales: A Visitation July 29th 1967 (Signed with Vinyl Record)

Wales: A Visitation July 29th 1967 (Signed with Vinyl Record) by GINSBERG, Allen

7 to 10 days for delivery
Standard Shipping: FREE
Details
$650.00
( US$)
Seller: Harper's Books
Title
Wales: A Visitation July 29th 1967 (Signed with Vinyl Record)
Author
GINSBERG, Allen
Seller
Harper's Books (United States)
Condition
A fine copy in olive papered boards. With photo-illustrated jacket, in original glassine; also fine, save for very minor chip to
Description
London: Cape Goliard Press, 1968. A fine copy in olive papered boards. With photo-illustrated jacket, in original glassine; also fine, save for very minor chip to glassine at lower front corner.. Limited Edition. Hand-numbered as 59 of 100 copies, SIGNED by Ginsberg to half-title page. Poem written by Ginsberg whilst on LSD, during his visit to the cottage of publisher Tom Maschler in the Black Mountains of Wales. As he later recounted, "my approach to [the poem], originally, was self-contradictory because—taking an acid trip, and then wanting to gain something, bring back a poem, maybe a poem about God or something—see God and bring back a poem!—pay your mind, see God, bring back a poem, cash it in to The New Yorker, get a hundred dollars, take the money and run back to the next universe." The long poem printed here alongside a facsimile of the original manuscript, and illustrated after 4 full-bleed black-and-white photos of Ginsberg by Maschler. Complete with 45 RPM record of a Ginsberg recital, housed in enclosure to rear pastedown.
The Death of the Art Dealer a Film by Ulises Carrión

The Death of the Art Dealer a Film by Ulises Carrión by CARRIÓN, Ulises

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Details
$400.00
( US$)
Seller: Harper's Books
Title
The Death of the Art Dealer a Film by Ulises Carrión
Author
CARRIÓN, Ulises
Seller
Harper's Books (United States)
Condition
Fine condition. Ref. Hill 63.
Description
Amsterdam, 1982. Fine condition. Ref. Hill 63.. First Edition. Xerographic flyer, printed recto/verso to A4 sheet. Announcement for the only film made by Ulises Carrión, a structuralist 16mm performance in which Carrión cradles a television set playing scenes from Max Ophüls' The Reckless Moment (1949) and moves his body (and the set) according to the direction in which the camera pans in the film—right, left, down, up—resulting in a strangely stabilized image. The performance abruptly concludes when Ophüls' protagonist throws the body of a gangster ex-art dealer into the sea.

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