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Glossae by SALOMO III, Bishop of Constance and Abbot of St. Gall (890-919), attributed to

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Seller: Musinsky Rare Books, Inc.

Title: Glossae
Author: SALOMO III, Bishop of Constance and Abbot of St. Gall (890-919), attributed to
Seller: Musinsky Rare Books, Inc. (United States)
Description: [Augsburg: Monastery of Saints Ulrich and Afra, 1474. Royal folio (404 x 283 mm). Collation: [112 2-1410 158 16-2810 298]. [288] leaves, complete (1/1 blank, 1/2r preface, 1/2r-24/9r part I, 24/9v blank, 25/10r-29/8v part II). Fol. 2/5 is a cancel as always (stubs of 2/5 and 2/6 preserved, that of 2/5 bearing remnants of printed letters [see below]). 55 lines, double column. Type: 1:105R. Forty-four twelve-line woodcut white-vine capitals, printed from 23 blocks; numerous spaces for 2-line initials, the woodcut capital P omitted from fol. 11/1, leaving a blank space. Printed paragraph marks. Several instances of uninked and 3 examples of inked bearer type (ligature Qu). Printed on six paper stocks (watermark details below). Unrubricated. Pinholes (two) and many deckle edges preserved. Condition: Intermittent dampstaining in lower inner margins, mainly in first half, affecting gutters between the first two quires and last two quires, small dampstain in a few upper inner margins in quires 19 and 25; recurring small mostly light stain within text block, possibly incurred when sheets were stacked before printing, some staining and soiling in final quire, especially to last leaf which also has small holes in the outer fore-margin from former catchplate nails inside rear cover (matching holes in pastedown); paper flaw with short tear in lower margin of fol. 26/8. Notwithstanding these small defects, overall a clean, large copy. Binding: Contemporary blind-stamped calf over wooden boards, heavily restored and rebacked, on lower cover a repeated lion? stamp within central panel and large rosette tool, both too worn to identify; pair of metal fore-edge catches and one of two clasps (leather renewed); pastedown endleaves of printed waste: two bifolia from Gritsch, Quadragesimale, [Augsburg]: Johann Wiener, 1477 (GW 11542). Provenance: contemporary inscription in an elegant gothic script on initial blank verso: “Veneran… [? abbreviation] / In honori ficabilita… [? abbreviation] / Veg[?]i[?] v[?] [word abbreviated} [?]eorgi propria manu hoc scrip[si]”; Robert Walsingham Martin (1871-1961), bookplate, sale, Parke-Bernet, 12 November 1963, lot 400; Alexandre P. Rosenberg (1921-1987), art dealer, bookplate (designed by Picasso), sale, Christie’s, New York, 23 April 2021, lot 161. *** Only Edition of an exceptionally extensive medieval Latin dictionary, including a few Old High German glosses, printed by the Benedictine monks of Saints Ulrich and Afra for the use of the monastery. The beautiful woodcut interlace initials of this edition were cut by a master Formschneider, presumably in direct imitation of the Romanesque white-vine illuminated initials of the now lost 12th-century manuscript copy-text. The work, which expands on earlier medieval glossaries, including the Abavus maior and the probably 8th-century Liber glossarum, contains two parts, in two alphabetical sequences, of which the second is much shorter. About 30 manuscripts or fragments of the text are extant; dating from the 11th and 12th centuries, most are of Benedictine origin and all are from the south German and Austrian regions. Already in the 12th century the work was attributed to Salomo (Solomon) III, Bishop of Constance, later Abbot of St. Gall, and the most powerful Prince of the Church of the late Carolingian period. While this attribution was consistently doubted, and was judged spurious by 19th and 20th-century scholars, historians have convincingly linked Salomo III to a revision of the Liber glossarum, and he may have had a hand in the more extensive Glossae, if only as originator or leader of the project. Known as the Salomonic Glossae, this massive dictionary constitutes a thesaurus of all domains of medieval knowledge. The approximately 35,000 lemmata derive from classical, biblical, early Christian and patristic sources, and include a large number of obscure and technical Latin terms. About 2400 entries include one-word translations into Old High German, in forms dating from the 10th, 11th or early 12th centuries (Henkel, p. 164). As in other medieval glossaries, such as Isidore’s Etymologiae, an occasionally obvious source, many entries consist of encyclopedic explanations, but the Glossae’s scope is broader and the text includes more technical terms than its Isidorian model; the structure is also purely alphabetical, in contrast with the systematic or hierarchical ordering of the Etymologiae. Like other medieval lexica, but even more so, it represents an impressive achievement of information management. It has been suggested that to accomplish this excerpting and alphabetical ordering, an early form of index card files may have been used (ibid., p. 158). After 1300 the Glossae ceased to be copied, having been superseded by more modern dictionaries, such as Balbus’ Catholicon. By the time of its printing, it was, in fact, long since obsolete. That the monks of St Ulrich and Afra, under their ambitious abbot Melchior von Stammheim, unearthed and laboriously typeset the work in the 1470s, nearly 200 years after its last transcription, constitutes at first glance a curious episode of 15th-century printing history, until one understands its significance in the history of Benedictine scholarship. The press of Saints Ulrich and Afra, active from ca. 1472 to 1474, was the first monastic press to be integrated into an existing scriptorium (Hägele, p. 133). The 15 or 16 editions assigned to the press were all printed anonymously. The very existence of a monastic press in the Augsburg monastery, a center of renewed Benedictine scholarship under the Melk Reform, would not be known were it not for two contemporary sources which record details of its establishment. One is a single-leaf vellum document containing a list of costs, and the other a first-hand chronicle written in the 1490s, i.e., nearly 20 years after the events, by the monk Wilhelm Wittwer, who participated in the project. These provide the following picture: In the early 1470’s, against the advice of his peers, Abbott Melchior von Stammheim, insisted on setting up a printing press within the scriptorium. His project was facilitated by the availability of the presses and other printing material (though not the types) of the Augsburg printer Johann Schüssler, who was in poor health (and who died soon after). A typefounder, Sixt Sauerloch, was hired to produce type. While the monks carried out the typesetting, correcting, rubrication and binding, the printing itself was delegated to hired pressmen, including one Johannes Maislin (this may account for the heterogenous appearances of the Ulrich and Afra imprints). The printing office was in no way intended to supplant the manuscript production of the monastery’s important scriptorium. According to Wittwer, not only was Abbot Melchior eager to provide worthy and edifying employment for the monks, but he hoped that these new printed volumes would serve as calligraphic models for the monk-scribes; furthermore, he expected to use them as a way to expand the monastic library through barter (the possibility of selling the books is not mentioned in Wittwer’s account, although a later successor to von Stammheim did sell off many of the press’s books). But after the abbot’s death in January 1474 and, later in the year, a catastrophic storm that destroyed one of the monastery’s buildings, no new editions were undertaken, although those editions already underway were completed, and the presses and some of the types were evidently sold to local printers. In his chronicle, Wittwer did not cite this edition of the Glossae Salomonis (he referred to only three Ulrich and Afra imprints), but it is securely attributed to the press on both typographical and circumstantial grounds. First, the type appears in five other books from the press, including Rampegollis, Compendium morale (GW M36990), which was described by Wittwer as the first book printed by the monks. Second, the monastery is known to have owned a manuscript of the Glossae. It was noted by Wittwer that in 1175 Heinrich von Maisach, Abbot of St. Gall, ordered that a manuscript copy of the Glossae be made for the Augsburg house. That codex’s subsequent peregrinations were also recorded (it was lost and then repurchased by a later, 14th-century abbot, only to be lost again). The appearance of the manuscript can be gleaned from the magnificent woodcut initials of the present edition. The woodblocks were subsequently acquired by the Augsburg printer Ludwig Hohenwang, and, following him, Johann Bämler. The Glossae is the only Ulrich and Afra imprint to include a prologue, almost certainly written by Melchior von Stammheim. In it he praises the text (written by “our” Bishop Salomon) for its clear and elegant Latin, contrasting it with the poor Latin of the Catholicon, which sounds more like the braying of a donkey than the language of Cicero. The Benedictines, now flourishing anew under the Melk Reform, rejected the Italianizing Latin of 15th-century humanists, and turned toward their own past for tools of scholarship. At the same time the edition represented a tribute to an important Benedictine achievement from the “Golden Age” of the order’s past. While the text had no future, and this was its sole edition, it was and remains an imposing linguistic monument, and a splendid, isolated curiosity in the history of fifteenth-century printing. As has often been noted, the edition shows traces of printing difficulties, including an insufficient supply of type. The cancel leaf, fol. 2/5 corrects an error in which the text of 2/4 (or at least its verso) was incorrectly imposed as a conjugate with fol. 2/6, as Curt Bühler was able to deduce from the final letters of the last lines of 2/4v still remaining on the stub of 2/5v in one of the Munich copies. In our copy, the outer edges of 5 letters are still visible on the stub. In the final quire, miscalculations of type requirements led to a shortage of the ligature Qu, on fol. 29/1v, in which blank spaces are left where it was required, except at the beginnings of lines, and of the upper-case R, replaced, on fol. 29/2v, with upper-case K’s. The shortage of the Qu ligature may have been due to its employment as bearer type: in this copy, two blind impressions of Qu appear on fol. 8/1r, at the foot of the partly empty second column, and inked impressions of the same sort (printed sideways) are found in blank areas of fols. 23/5v and 28/4v. On fol. 23/8v, a vertical row of 5 lower-case letters was somehow printed over the text block, at the foot of the second column. Finally, as apparently in all copies, the woodcut capital P was omitted from its designated space on fol. 11/1r. (Because the K and V are not used in the second alphabet of the second part, these are the only three woodcut capitals not to appear in more than one impression; the rest appear twice, except L which is used three times, including for the prologue.) Watermarks: three different 7-petalled flowers (Blüte), a grape bunch, and an unidentified mark; the cancel leaf with a bulls-head watermark: 1) flower, 43/46 mm., cf. the online Wasserzeichen-Informationssystem (WZIS) https://www.wasserzeichen-online.de/?ref=DE8100-IncFol10290_999, found in several Ulm, Strassburg and Mainz incunables of ca. 1474; 2) flower, 51 mm., a popular watermark: many examples in WZIS, origin unknown, some possibly Lombardy, others Augsburg, Ulm, Strassburg, 1450-1485; 3) flower, 71 mm.: WZIS includes several examples, all South German (Augsburg, Nürnberg, Strassburg), 1470-1490; 4) grapes (fol. 3/8.3 and a few other leaves), approx. 45 x 30 mm.: Briquet 13049 (1465); 5) in cancel leaf 2/5 only: bulls head, with eyes, with single stem surmounted by a crown (113 mm.), placed toward bottom of leaf: : WZIS DE5580-2Incca375b_k10, found in an Anton Sorg imprint of 1475 (GW M13983); 6) fols. 6/6, 10/2, 21/6, 23/7, 25/6 with unidentified watermark, with a bulbous base, height 45 mm. The phrase “in honori ficabilita...” in the early inscription on the front flyleaf is interesting. In medieval Latin the single word honorificabilitudinitas meant “a state worthy of being able to achieve honors.” Shakespeare used it in its ablative or dative form (honorificabilitudinitatibus) as a joking example of a long word in Love’s Labors Lost (Act V, Scene 1). It appears also in Dante, is first traced in the 8th century, and is found in other medieval dictionaries (notably the late 12th-century Magnae Derivationes of Uguccione [Hugh of Pisa], and in Balbus’ Catholicon), but not in Salomo’s Glossae. References: ISTC is00021000; GW M39747; BMC II, 340; Goff S-21; Walsh 554, Whitesell Suppl S1-554A. Cf. Verfasserlexikon 2 8:542-544; Curt Bühler, “Remarks on the Printing of the Augsburg Edition (ca. 1474) of Bishop Salomon’s Glossae,” Homage to a Bookman. Essays on Manuscripts, Books and Printing, written for Hans P. Kraus on his 60th birthday (Berlin, 1967), pp. 133-136; Nikolaus Henkel, “Althochdeutsches im 15. Jahrhundert: Die ‘Glossae Salomonis’ der Augsburger Inkunabel HC 14134,” Gutenberg-Jahrbuch vol. 81 (2006), pp. 156–167; Rolf Schmidt, Reichenau und St. Gallen. Ihre literarische Überlieferung zur Zeit des Klosterhumanismus in St. Ulrich und Afra zu Augsburg um 1500 (Konstanzer Arbeitskreis für mittelalterliche Geschichte, Vorträge und Forschungen, Sonderband 33, Sigmaringen, 1985, pp. 89-92; R. Schmidt, “Die Klosterdruckerei von St. Ulrich und Afra in Augsburg (1472 bis kurz nach 1474),” Gier & Janota, eds., Augsburger Buchdruck und Verlagswesen von den Anfangen bis zur Gegegenwart (1997), pp. 141-152; G. Hägele, “Top oder Flop? Zur Produktion der Klosterdruckerei St. Ulrich und Afra in Augsburg,” Wolfenbütteler Notizen zur Buchgeschichte, vol. 39 (2014), pp. 133-152. Not in Claes, Bibliographisches Verzeichnis der deutschen Vokabulare und Worterbucher gedruckt bis 1600, or Vancil, A checklist of incunable dictionaries.

Fêtes. With 8 original etchings by Calder by Alexander Calder - Jacques Prévert

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Seller: Marninart, Inc (ABAA-ILAB)

Title: Fêtes. With 8 original etchings by Calder
Author: Alexander Calder - Jacques Prévert
Seller: Marninart, Inc (ABAA-ILAB) (United States)
Condition: Very Good+
Description: (Celebrations). Paris: Maeght, 1971. Text by Jacques Prévert illustrated with 8 original etchings by Calder, loose as issued guarded in the publisher's orange cloth clamshell box.Limited edition of 225 copies, printed on Arches vellum, signed by the author and the artist in justification page. Complete portfolio, with one original etching in color for the front cover, and seven aquatints in color all with embossing.

LUDWIG HOHLWEIN. Compiled and Edited by Prof. H. K. Frenzel with an Introduction by Dr. Walter F. Schubert. Translated by Herman George Scheffauer by Hohlwein Ludwig

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$975.00

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Seller: The Book Block

Title: LUDWIG HOHLWEIN. Compiled and Edited by Prof. H. K. Frenzel with an Introduction by Dr. Walter F. Schubert. Translated by Herman George Scheffauer
Author: Hohlwein Ludwig
Seller: The Book Block (United States)
Description: Berlin Phönix Verlag, 1926. Lg. 4to. (11 7/8 x 9 inches), publisher's turquoise cloth with gilt titling, spine a little sunned, but a very good copy of a book that, because of its size and weight, is invariably disbound, or altogether rebound.First edition of this bi-lingual edition devoted to the art of this innovative genius who "masters the language of the poster like no other, and whose designs for book jackets, "…are all derived from the same rich soil that nourishes the garden of his posters." If the prose that introduces the artist is a bit over the top, the more than 220 plates (in color and in sepia tone), some with multiple images to the page, absolutely convinces the reader of just how good a graphic artist Hohlwein was. From tobacco to travel, from automobiles to accessories, his posters, calendars, cigarette packs and sheet music are as fresh today as they were when they first made their appearance.An important work about an important artist, difficult to find in original condition. AN ATYPICALLY NICE COPY

Catalogue d’Estampes anciennes et modernes, et de Livres à Figures du Cabinet de feu le Chevalier de Karcher, Ministre résident de S.A.R. le Grand-Duc de Toscane et de la Hesse électorale; par Duchesne aîné; suivi d’une Notice de Tabatières précieuses, Bronzes, Pendules, et autres Objets de curiosités du même Cabinet. Par Charles Paillet. La vente aura lieu le lundi 24 Janvier 1825 et jours suivans by (AUCTION CATALOGUE: KARCHER, Henri Thomas de)

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Seller: Jonathan A. Hill, Bookseller, Inc.

Title: Catalogue d’Estampes anciennes et modernes, et de Livres à Figures du Cabinet de feu le Chevalier de Karcher, Ministre résident de S.A.R. le Grand-Duc de Toscane et de la Hesse électorale; par Duchesne aîné; suivi d’une Notice de Tabatières précieuses, Bronzes, Pendules, et autres Objets de curiosités du même Cabinet. Par Charles Paillet. La vente aura lieu le lundi 24 Janvier 1825 et jours suivans
Author: (AUCTION CATALOGUE: KARCHER, Henri Thomas de)
Seller: Jonathan A. Hill, Bookseller, Inc. (United States)
Description: 60 pp. Small 8vo, attractive antique calf-backed paste paper boards, spine gilt, red morocco lettering piece on spine. Paris: Leblanc, 1824. The very rare sale catalogue of a notable collection of 325 prints by Dürer, Masson, Nanteuil, Rembrandt, etc., as well as illustrated books, snuff boxes, and sculptures. From the biographical sketch we learn that Karcher (1773-1824), was a prominent financial administrator under Napoleon who participated in the Congress of Vienna. His many years abroad in Germany and Italy enabled him to amass an impressive art collection. 410 lots. Nice copy. ❧ Lugt 10806.

MR. WHITTLESEY'S LETTER. WASHINGTON, FEB. 18, 1839. GEN. SANDS ADAMS:.. by [Whittlesey, Thomas T.]

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$275.00

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Seller: David M. Lesser, Fine Antiquarian Books LLC

Title: MR. WHITTLESEY'S LETTER. WASHINGTON, FEB. 18, 1839. GEN. SANDS ADAMS:..
Author: [Whittlesey, Thomas T.]
Seller: David M. Lesser, Fine Antiquarian Books LLC (United States)
Description: [Washington, 1839. 16pp, caption title [as issued]. Folded, light soil, worn along spine. Untrimmed, Good+. Neatly inscribed above the title, 'Sydney Stanley', probably the signature of the Hartford resident and Clerk of the Connecticut Legislature, born in 1805 and died in 1878. Whittlesey, a Connecticut Jacksonian, was wrapping up his only term in Congress. He had lost his bid for re-election in the fall of 1838, at least in part because he supported the Independent Treasury Bill, the Jacksonians' answer to a National Bank. Whigs and many of his constituents had opposed the Bill on the ground that it disadvantaged northern commercial interests at the expense of the South. This is Whittlesey's swan song, rebutting charges that he was guilty of "extreme servility to the south...and acting in base subserviency against the wishes and interests of our people." He explains the justice and fairness of the Bill and the unfairness of his critics. FIRST EDITION. AI 59215 [3]. OCLC 56414964 [1- CT State Lib.].

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From Here to There: Alec Soth's America by Soth, Alec (and) Siri Engberg (and) Geoff Dyer

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$195.00

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Seller: Mullen Books, Inc. ABAA / ILAB

Title: From Here to There: Alec Soth's America
Author: Soth, Alec (and) Siri Engberg (and) Geoff Dyer
Seller: Mullen Books, Inc. ABAA / ILAB (United States)
ISBN: 9783775727501
Condition: VG: Exlibrary book. Stamp on the half-title page. Stamp, sticker, and due date card on the back free end page. Stamp on top text
Description: Minneaplis, MN: Walker Art Center, 2010. Hardcover. VG: Exlibrary book. Stamp on the half-title page. Stamp, sticker, and due date card on the back free end page. Stamp on top text block.. A yellow cloth casebound book with black text down the spine. Unpaginated. Profusely illustated with majority color images. Also contains a bonus short story book in a pocket on the back pasted end page. Contents are as follows: Welcome to utopia / Siri Engberg -- Riverrun / Geoff Dyer -- American history / Britt Salvesen -- Sleeping it off in Rapid City / August Kleinzahler -- Dismantling my career / Alec Soth in conversation with Bartholomew Ryan -- A wandering art / Barry Schwabsky.

Spartacus by FAST, Howard

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Seller: Between the Covers- Rare Books, Inc. ABAA

Title: Spartacus
Author: FAST, Howard
Seller: Between the Covers- Rare Books, Inc. ABAA (United States)
Condition: Good
Description: New York: Crown Publishers, 1958. Hardcover. Good/Very Good. Eighth edition. Stated "Special Movie Edition" on front flap of the jacket. Small owner name front fly, modest tear and crase at the edge of one leaf (p. 263-264), very good in very good or better dust jacket with a few short tears near the crown. Because of growing concern over his Communist sympathies, Fast was unable to find a commercial publisher for this book and finally published the first edition himself. It went quickly through six large printings, and eventually secured him a commercial publisher. By the time this edition came out, it had been out of print for several years, when it was revived to coincide with the upcoming 1960 film. Other than the notice on the jacket flap, there is no other connection to the film. In the midst of the Red Scare this study of the eternal quest for freedom, and of the dying days of the Roman Republic as it moved toward Empire, became a best-seller. Basis for the epic film produced by and starring Kirk Douglas, and directed by Stanley Kubrick. The magnificent cast also included Laurence Olivier, Jean Simmons, Charles Laughton, scene-stealer Peter Ustinov (who won an Oscar), Tony Curtis, Woody Strode, and many others. Douglas's unflinching insistence that Dalton Trumbo receive screen credit for his script signaled the end of the Hollywood Blacklist. Uncommon edition.

Messianic Popular Movements in the Lower Congo by Andersson, Ephraim

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Title: Messianic Popular Movements in the Lower Congo
Author: Andersson, Ephraim
Seller: Eric Chaim Kline - Bookseller (United States)
Condition: very good +
Description: Uppsala, Sweden: [Agent: Almqvist & Wiksells boktr.], 1958. First edition. very good +. Quarto (12-1/4" x 9-1/4"). xiii, (1), 287, (1)pp. Text in English. Green library buckram, spine lettered in gilt, original wrappers bound in. Illustrated with 4 plates (3, in color), and several text drawings. An ex-library copy with rubber stamp on title page and a library pocket on rear pastedown, otherwise fine. Contents: I. Cultural and religious background -- II. Incipience of the prophet movement in the earlier missions -- III. Simon Kimbangu and Ngunzism -- IV. Ngunzism during the years 1921-1924 -- V. The resurgence of Ngunzism in the 1930's -- VI. The rise of new popular movements in the Lower Congo -- VII. The Ngunza-Khaki movement and its leaders -- VIII. Nzambi ya Khaki, distribution, organization, cult -- IX. The doctrine of Nzambi ya Khaki -- X. The Munkukusa or Munkunguna movement of 1951-1953 -- XI. The messianic movements as an ethnographic and sociological problem -- XII. Foreign influences on the messianic movements -- XIII. Concluding remarks. "Studia Ethnographica Upsaliensia. XIV.

FISHING: MACKEREL FISHING by HARPER'S WEEKLY

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Title: FISHING: MACKEREL FISHING
Author: HARPER'S WEEKLY
Seller: Antic Hay Books (United States)
Description: 1872. [HARPER'S WEEKLY]. MACKEREL FISHING, 1872. An original hand-colored print from "Harper's Weekly" magazine, October 12, 1872, depicting a group of men mackerel fishing on the shore of an unnamed coastline. $85.00.

Fluxus Vivus by HIGGINS, Hannah B., Simon Anderson, Karen Moss, Eric Anderson, and Ina Blom

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Seller: Jeff Hirsch Books, ABAA

Title: Fluxus Vivus
Author: HIGGINS, Hannah B., Simon Anderson, Karen Moss, Eric Anderson, and Ina Blom
Seller: Jeff Hirsch Books, ABAA (United States)
Description: Chicago, IL: The Arts Club of Chicago, 1993. First edition. Softcover. Retrospective exhibition on Fluxus. Features an introduction and essay by Hannah B. Higgins and with additional essays by Simon Anderson, Karen Moss, Eric Anderson, and Ina Blom. Includes some black and white illustrations. A clean near fine copy in wrappers.

Honey Bunch: Her First Little Pet Show by THORNDYKE, Helen Louise. [Stratemeyer Syndicate pseudonym]

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Seller: Sandra L Hoekstra Bookseller, ABAA, ILAB, IOBA

Title: Honey Bunch: Her First Little Pet Show
Author: THORNDYKE, Helen Louise. [Stratemeyer Syndicate pseudonym]
Seller: Sandra L Hoekstra Bookseller, ABAA, ILAB, IOBA (United States)
Condition: Fine
Description: New York: Grosset & Dunlap Publishers, 1948. Later printing. Wraps. Fine/very good. Harry LANE. Later printing, c. 1952. 12mo; 184pp; brown stamped pictorial on tan tweed paper, portrait of Honey Bunch in oval on front; color pictorial endpapers; b&w frontispiece on plain paper; unclipped color pictorial dust jacket, "9595" and "70-100" pricing on front flap, listing of series through Her First Visit to Puppyland, published in 1952, light rubbing of front and rear panels, scuffing and chipping to edges, fine in very good dj. This book is number 27 in the original series of 32 books, in 1954 the series changed its name to Honey Bunch and Norman. Unlisted and unknown Stratemeyer Syndicate author. The book was advertised as "pleasing series of stories for little girls from four to eight years old".

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Albion; The Origins of English Imagination by ACKROYD, Peter

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Seller: Argosy Book Store

Title: Albion; The Origins of English Imagination
Author: ACKROYD, Peter
Seller: Argosy Book Store (United States)
ISBN: 9780385497725
Condition: very good
Description: New York: Doubleday, 2003. hardcover. very good/very good. Color and b/w Illus. 524pp. 8vo, 1/2 blue cloth, d.w. New York: Doubleday, (2003). Very good

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