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A Magician Among the Spirits by HOUDINI, HARRY

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$8,900.00

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Seller: The Manhattan Rare Book Company

Title: A Magician Among the Spirits
Author: HOUDINI, HARRY
Seller: The Manhattan Rare Book Company (United States)
Condition: Very Good
Description: New York: Harper and Brothers, 1924. First edition. Original cloth. Very Good. FIRST EDITION, INSCRIBED AND TWICE SIGNED BY HOUDINI: "To Frederick H Young / Best wishes / Houdini / Sept 19. - 1924 / 1:30 AM." Additionally signed "Houdini" on dedication page. Harry Houdini, the son of a rabbi and a doting mother, was born Erik Weisz in Budapest, Hungary in 1874. After moving to Wisconsin at age 4 then to New York City at 13, Erik Weisz eventually became the legendary Harry Houdini, a master mystifier now remembered for his sensational escapes but known in his time as an unmasker of frauds. When Houdini's mother died in 1913 he lamented, "it was a shock from which I do not think recovery is possible." Her death led to Harry's interest in Spiritualism, a religious movement based on the belief that the dead could interact with the living, and he dedicated his book, A Magician Among the Spirits, to her. Harry Houdini met Sir Arthur Conan Doyle in 1920 and they corresponded regularly about their mutual interest in Spiritualism. In 1922, while Houdini and his wife vacationed with the Doyle family, Houdini attended a séance with Lady Doyle, who claimed to be channeling Houdini's mother. Houdini was hopeful that this religious movement would lead to contact with his dead mother, but he became skeptical of Lady Doyle and others who claimed to communicate with those on the other side. In early 1923, Houdini joined a committee sponsored by Scientific American which was offering $2,500 to any medium who could successfully demonstrate supernatural abilities. Houdini believed that his training as a magician gave him insights that scientists and academics lacked. After observing more than a hundred mediums, Houdini announced that spiritualists were charlatans and no prize was ever awarded. As President of the Society of American Magicians, he sought to uphold professional standards and expose fraudulent artists. As his fame as a "ghostbuster" grew, Houdini chronicled his debunking exploits in A Magician Among the Spirits, which was published in May of 1924. In the dedication he refers to his mother as an "angel upon earth in human form." The book also features a large photo of Houdini and Doyle opposite the title page as well as a chapter dedicated to the discussion of their friendship and divergent opinions about Spiritualism. As Houdini wrote, "Spiritualism has claimed among its followers numbers of brilliant minds-scientists, philosophers, professionals and authors...Such a one is Sir Arthur Conan Doyle...I have no warfare with Sir Arthur [but] so far I have never on any occasion...seen...anything which has convinced me that it is possible to communicate with those who have passed out of this life. Therefore I do not agree with Sir Arthur." Doyle refused to believe any of Houdini's exposés and viewed him as a dangerous enemy. Doyle believed that the ungrateful and stubborn Houdini had insulted his wife's powers, while Houdini believed that the Doyles made a mockery of his deep feelings for his mother, the ruling passion of his life. A Magician Among the Spirits, like a good magician revealing a secret, invites us behind the scenes, educates us, and then allows us to find mystery in the countless questions that may develop. Houdini explains how mediums utilized props as well as the power of suggestion to convince people that the dead are among them. He does not ridicule Spiritualism but rather treats it with respect and sympathetically explains that it gained popularity after the unprecedented loss of life from World War I and the influenza pandemic. Houdini writes earnestly from the perspective of a professional magician, and, as he tells us in the Introduction, approaches his research scientifically, systematically, and with an open mind. This copy of A Magician Among the Spirits was inscribed by Houdini to Frederick H. Young on September 19, 1924 at 1:30AM, perhaps following a séance. Houdini also signed the dedication page. He inscribed this book after spending much of the summer exposing the trickery of the celebrated medium, Mina "Margery" Crandon, the wife of a wealthy surgeon. In July and August of 1924, Houdini and the Scientific American committee attended five séances with "Margery" at various locations in Boston. Ultimately Houdini deemed her a fake and published a 40-page pamphlet, Houdini Exposes the tricks used by the Boston Medium "Margery." As he told an interviewer from The Los Angeles Times, "It takes a flimflammer to catch a flimflammer." ("Margery Pamphlet"). In 1925 Houdini's one-man show on Broadway included as its final act "Do the Dead Come Back?" in which he named and shamed mediums whom he believed were fraudulent. In February and May of 1926, Houdini testified before Senate and House subcommittees for a bill aimed at prosecuting anyone "pretending to tell fortunes for reward or compensation." According to one of his biographers, "This [anti-Spiritualist crusade work] is what Houdini wanted to be remembered for. He did not want to go down in history as a magician or an escape artist." (David Jaher, The Witch of Lime Street) Despite their distrust of Spiritualism, Houdini and his wife Bess agreed to conduct an experiment: the first to die was to try to communicate with the survivor. While still in his prime, Houdini died on October 31, 1926, at the age of 52, from complications of appendicitis. Houdini's funeral was held on November 4, 1926 in New York City with over two thousand mourners in attendance. He was buried in Queens, in a coffin he'd made for one of his magic tricks, with his head lying on a stack of letters from his mother, instructions which he left behind in his will. Bess held a séance in an effort to contact her husband every Halloween for the next 10 years. In 1936, after 10 unsuccessful séances, she extinguished the candle that had been burning beside a photo of Houdini since his death and later said "ten years is long enough to wait for any man." A Magician Among the Spirits was the final book that Houdini published and the culmination of over 30 years studying occult phenomena. It's a fascinating account of superstition and gullibility by the greatest magician of all time. Very early in his career Houdini identified with Spiritualism and hoped he could connect to his mother, but in publishing this work he concluded that "everything that I have investigated has been the result of deluded brains." He was unrelenting in his criticism of Spiritualism and with this seminal work Houdini debunked what he considered to be one of the most fraudulent movements of the 21st century. Illustrated with 20 full-page photographic plates (some with multiple images per plate). New York and London: Harper & Brothers, 1924. Octavo, original cloth with gilt title and gilt ruling on front board. As usual, without the rare dust jacket. Custom cloth box. Spine with mild fading and a little wear at edges. A handsome, well-preserved copy, with an intriguing inscription. References: Sir Arthur Conan Doyle. Edge of the Unknown. New York: G. P. Putnam's Sons, 1930. The Editors of Encyclopedia Britannica. "Harry Houdini." Encyclopedia Britannica, 26 Aug. 2022. Bryan Greene. "For Harry Houdini, Séances and Spiritualism Were Just an Illusion." Smithsonian Magazine, 28 Oct 2021. Harry Houdini. A Magician Among the Spirits. New York: Harper and Brothers, 1924. "Harry Houdini Papers." Harry Ransom Center, The University of Texas at Austin. Performing Arts Collection PA-00043. David Jaher. The Witch of Lime Street: Séance, Seduction, and Houdini in the Spirit World. New York: Crown Publishing Group, 2015. "Margery Pamphlet." The American Experience. "Timeline of Houdini's Life." The American Experience.

Mosquitoes by Faulkner, William

1 to 10 days for delivery

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$4,500.00

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Seller: Biblioctopus

Title: Mosquitoes
Author: Faulkner, William
Seller: Biblioctopus (United States)
Description: New York: Boni and Liveright, 1927. First Edition. The Nobel Laureate’s 2nd novel. 8vo. Fine (none of the typical flaking to the yellow lettering) in the first printing dustjacket (there is a 2nd printing “cardplayers” jacket), some rubbing and a 3/8” tear else near fine. Cheaper than any copy close to this fine, and finer than any copy close to this cheap. Set aboard a yacht on Lake Pontchartrain over four days, the novel assembles a party of New Orleans artists, writers, dilettantes, and socialites whose endless, boozy, self-regarding talk amounts to very little—which is precisely Faulkner's point. A satire of the Vieux Carré literary scene he had recently inhabited, Mosquitoes is the last book Faulkner wrote before discovering Yoknapatawpha County and the voice that would carry him through The Sound and the Fury, As I Lay Dying, and the great novels that followed. It is apprentice work by a genius on the verge.

Corsage: A Bouquet of Rex Stout and Nero Wolfe by Bourne, Michael [Rex Stout]

2 to 8 days for delivery

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$255.00

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Seller: Carpetbagger Books, ABAA

Title: Corsage: A Bouquet of Rex Stout and Nero Wolfe
Author: Bourne, Michael [Rex Stout]
Seller: Carpetbagger Books, ABAA (United States)
ISBN: 9780918736017
Condition: Fine
Description: Bloomington: James A. Rock & Company, 1977. First Edition. Paperback. Fine. Illustrated by Sid Wright. Limited to 1500 numbered paperbound copies. Fine. Clean wraps. Square and firmly bound, clean internally. This work features the book publication of the Nero Wolfe novel Bitter End.

CARL LAEMMLE JR. (1929) Photo by Universal

2 to 8 days for delivery

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$250.00

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Seller: Walterfilm, Inc.

Title: CARL LAEMMLE JR. (1929) Photo
Author: Universal
Seller: Walterfilm, Inc. (United States)
Condition: Near Fine
Description: Universal. No binding. Near Fine. [Los Angeles]: Universal Pictures, 1929. Vintage original 8 x 10" (20 x 25 cm) black-and-white photo. With mimeographed text and Aug 1929 date stamp, photo agency stickers on verso. Near fine. Universal head of production Carl Laemmle Jr. meets with playwright Maxwell Anderson and a script editor to discuss his forthcoming production of All Quiet on the Western Front.

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