Skip to content

Secure Checkout

Website Secured with 256-bit TLS Encryption
Subtotal: $488.00
Shipping: $12.50
$0.00
Donation Amount: $0.00
Total: $500.50
2 - 8 days
2 - 14 days

All fields are required unless marked optional.

Add Shipping Note
  • Visa
  • Mastercard
  • American Express
  • Discover
  • Paypal
  • Apple Pay
  • Google Pay

Verified and Secured. Guaranteed.

Website Secured with 256-bit TLS Encryption
Please select your payment method from the following list:
Click the button to checkout with PayPal.
You will be charged $500.50 when completing this purchase.

Cart Totals

Subtotal: $488.00
Shipping: $12.50
: $0.00
Donation Amount: $0.00
Total: $500.50

You are about to purchase:

DAVID BOWIE | THE ELEPHANT MAN (1980) Theatre photo

DAVID BOWIE | THE ELEPHANT MAN (1980) Theatre photo by Solters, Roskin, Friedman, Inc.

2 to 8 days for delivery
Standard Shipping: FREE
Details
$350.00
( US$)
Seller: Walterfilm, Inc.
Title
DAVID BOWIE | THE ELEPHANT MAN (1980) Theatre photo
Author
Solters, Roskin, Friedman, Inc.
Seller
Walterfilm, Inc. (United States)
Condition
Fine
Description
Solters, Roskin, Friedman, Inc.. No binding. Fine. New York: Solters, Roskin, Friedman, Inc., [1980]. Vintage original 10 x 8" (25 x 20 cm) black-and-white photo, printed text affixed to verso. Fine. Portrait of David Bowie as he was preparing to make his Broadway debut in the lead role of John Merrick in the play The Elephant Man by Bernard Pomerance. He was one of several actors who took on this role during the play's theatrical run, and he opened in it on September 23, 1980 and ended his run on January 4, 1981. The brilliance of Bowie's stage performance electrified audiences. Some theatre snobs expected a pretentious flop, but as Clive Barnes of the New York Post was quick to write: "David Bowie in The Elephant Man is giving one of the greatest acting performances I have seen in years. He has also made the most brilliant Broadway debut in recent memory."
[Op. 3]. Premier Quatuor pour deux Violons, Alto et Violoncelle composé et dedié à son ami Thibaud Hartzer... Oeuv. 3. Pr. 1 Thlr. 12 Gr. [Parts]

[Op. 3]. Premier Quatuor pour deux Violons, Alto et Violoncelle composé et dedié à son ami Thibaud Hartzer... Oeuv. 3. Pr. 1 Thlr. 12 Gr. [Parts] by VEIT, Václav Jindřich 1806-1864

7 to 14 days for delivery
Standard Shipping: $12.50
Details
$138.00
( EU VAT US$0)
Seller: J & J Lubrano Music Antiquarians LLC
Title
[Op. 3]. Premier Quatuor pour deux Violons, Alto et Violoncelle composé et dedié à son ami Thibaud Hartzer... Oeuv. 3. Pr. 1 Thlr. 12 Gr. [Parts]
Author
VEIT, Václav Jindřich 1806-1864
Seller
J & J Lubrano Music Antiquarians LLC (United States)
Description
Leipzig: Frédéric Hofmeister [PN 2145], 1836. Folio. Disbound. Violino 1o: [1] (title), 2-11, [i] (blank) pp.; Violino 2o: 8 pp.; Alto: 8 pp.; Violoncello: 8 pp. Engraved. Comprehensive markup to Violino 1o part in pencil: fingering, articulations, bowings, etc. Occasional annotations to Violino 2o. part. Stylized drawing of a [?]deer lightly sketched pencil at upper right corner of title. Measure numbers added in pencil in a modern hand throughout. Slightly worn; browned; outer bifolium of Violino 1o part reinforced and partially detached; some moderate dampstaining; occasional small ink stains. First Edition, possibly first issue. WorldCat (4 copies in the U.S., at Stanford, Oberlin, Case Western Reserve, and the Free Library of Philadelphia. "At ten years old [Czech composer Veit][ was already an accomplished player on the piano, organ and violin, and had begun to write church music... In 1831 he rejected music as a profession, entering the service of the state legislature. However, after the public première of his First String Quintet (1835), he was also recognized as a leading Prague composer... As one of the first Czech composers who enthusiastically embraced the aesthetic and stylistic ideals of the German Romantics, Veit occupied an important position in the development of Czech music. Although heavily influenced by Mendelssohn and Schumann, his most effective works are characterized by an individual and expressive melodic gift, strong rhythmic sense and a penchant for unexpected turns of harmony and tonality. He pioneered the 19th-century Czech development of chamber music (his quartets were popular in Prague concerts and soirées, and were familiar to Smetana)." Karl Stapleton in Grove Music Online.